Love (F. & S. II.311)
Love (F. & S. II.311)
Signed Print
Andy Warhol
£21,000-£30,000Value Indicator
$45,000-$60,000 Value Indicator
$40,000-$60,000 Value Indicator
¥200,000-¥290,000 Value Indicator
€24,000-€35,000 Value Indicator
$220,000-$320,000 Value Indicator
¥4,180,000-¥5,970,000 Value Indicator
$29,000-$40,000 Value Indicator
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78 x 54cm, Edition of 100, Screenprint
Medium: Screenprint
Edition size: 100
Year: 1983
Size: H 78cm x W 54cm
Signed: Yes
Format: Signed Print
Last Auction: October 2022
Value Trend:
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Meaning & Analysis
Love (F. & S. II.311) is one of three prints that makes up Andy Warhol’s Love series from 1983, depicting a nude couple in various poses of embrace. This print shows the couple facing one another as if about to kiss, each with one hand on their partner and one hand on their own hips. Rendered as a simple line drawing against a plain white backdrop and bright contours of colour, this print marks a departure from Warhol’s typical style.
Warhol’sLove series is a narrative celebration of love, desire and eroticism that uses vibrant misaligned colour and organic line drawings to create an aura of attraction and fantasy. In Love (F. & S. II.311) the figures glow and pulsate in yellow and magenta ink, confronting the viewer with an image that is both explicit and elusive in its romantic portrayal of sexual attraction.
Love (F. & S. II.311) is recognisable as a 1980s piece of Pop Art in its highly stylised reduction of form and haze of neon colours. The print also harks back to Warhol’s origins as a fashion illustrator, seen in his elegant use of line and the figures echoing catwalk sketches or fashion advertisements.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.
