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Camouflage (F. & S. II.412) - Signed Print by Andy Warhol 1987 - MyArtBroker

Camouflage (F. & S. II.412)
Signed Print

Andy Warhol

£45,000-£70,000Value Indicator

$90,000-$140,000 Value Indicator

$80,000-$130,000 Value Indicator

¥440,000-¥680,000 Value Indicator

50,000-80,000 Value Indicator

$480,000-$750,000 Value Indicator

¥8,940,000-¥13,910,000 Value Indicator

$60,000-$90,000 Value Indicator

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96 x 96cm, Edition of 80, Screenprint

Medium: Screenprint
Edition size: 80
Year: 1987
Size: H 96cm x W 96cm
Signed: Yes
Format: Signed Print
Last Auction: April 2023
Value Trend:
13% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2023
Christie's New York
United States
$70,000
$80,000
$100,000
June 2022
Phillips London
United Kingdom
April 2017
Sotheby's New York
United States
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Track auction value trend

The value of Andy Warhol's Camouflage (F. & S. II.412) (signed) is estimated to be worth between £45,000 and £70,000. Over the past five years, the hammer price ranges from £65,873 in April 2023 to £68,000 in June 2022. This screenprint has shown consistent value growth, with an average annual growth rate of 13%. This work is somewhat rare, having been sold 3 times at auction since its initial sale in April 2017. The edition size of this artwork is limited to 80.

Created with Highcharts 11.4.8Apr 2017Apr 2018Apr 2019Apr 2020Apr 2021Apr 2022Apr 2023$50,000$60,000$70,000$80,000$90,000$100,000$110,000© MyArtBroker

Meaning & Analysis

The Camouflage series is made up of eight screen prints showing the commercial camouflage pattern, each coloured in a unique combination of vivid, flat colours. With a distinct lack of focal point, this print has an all-over composition much like the celebrated Abstract Expressionist paintings by figures like Jackson Pollock. Warhol deliberately subverts the grandeur of the Abstract Expressionists in his use of readily available, mundane patterns that he then repeats multiple times across the series.

Throughout his career, Warhol rallied against the ideals of ‘high art’ that were upheld by his predecessors in the Abstract Expressionist movement who insisted on the separation of art from everyday life. In this print, by appropriating already existing imagery to embody the principles of abstraction Warhol questioned traditional concepts of authorship, originality and reproduction. Stripping abstraction of all its traditional connotations of originality and freedom, Warhol successfully silences his critics and mocks Abstract Expressionism through the realm of Pop Art.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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