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In My Mind II - Signed Print by Tracey Emin 2014 - MyArtBroker

In My Mind II
Signed Print

Tracey Emin

£7,500-£11,500Value Indicator

$16,000-$24,000 Value Indicator

$14,000-$21,000 Value Indicator

¥70,000-¥110,000 Value Indicator

€8,500-€13,500 Value Indicator

$80,000-$120,000 Value Indicator

¥1,480,000-¥2,270,000 Value Indicator

$10,000-$16,000 Value Indicator

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36 x 30cm, Edition of 100, Etching

Medium: Etching

Edition size: 100

Year: 2014

Size: H 36cm x W 30cm

Signed: Yes

Format: Signed Print

Last Auction: January 2024

Value Trend:

57% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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5 in network
9 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
January 2024
Phillips London
United Kingdom
N/A
N/A
N/A
January 2021
Phillips London
United Kingdom
December 2020
Sotheby's London
United Kingdom
December 2019
Bonhams Knightsbridge
United Kingdom
May 2019
Bonhams Knightsbridge
United Kingdom
July 2018
Bonhams Knightsbridge
United Kingdom
November 2017
Swann Galleries
United States
MyPortfolio
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Track auction value trend

The value of Tracey Emin’s In My Mind II (signed) is estimated to be worth between £7,500 and £11,500. This etching print from 2014 has shown consistent value growth, with an average annual growth rate of 6%. This work has an auction history of 8 total sales since its entry to the market in September 2016. In the last 12 months, the hammer price has ranged from £5,500 in December 2020 to £6,500 in January 2024. The average return to the seller over the past five years is £5,100. The edition size of this artwork is limited to 100.

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Meaning & Analysis

In My Mind II was produced in 2014 in conjunction with Emin’s biggest to date exhibition, The Last Great Adventure is You, held at White Cube, London, from October to November 2014. In the exhibition, Emin revisited her previous artistic production and presented works ranging from bronze sculptures to paintings to neon works that, once again, spoke with disheartening honesty to the challenges and losses suffered by the artist. In the artist’s words, the works presented in the exhibition were about “rites of passage, of time and age, and the simple realisation that we are always alone.” This solitary and melancholic undertone of Emin’s reflections is echoed in this artwork, which presents a reclined naked woman. The tentative and sketched quality of the drawing further work to suggest notions of vulnerability and fragility, whilst the title, In My Mind, leaves the viewer to wonder what, or better, who, is occupying the lonely figure’s thoughts.

Additionally, the works speaks to Emin’s long standing admiration for the works of Egon Schiele, who the artist acknowledges as one of her main sources of inspiration, and of Louise Bourgeois, who, in a similar vein to Emin, also attempted to reclaim the female body as a site of conflicts and fears, delusions and hopes.

Through its intimate sense of melancholic longing and awaiting, this work saliently enacts female subjectivity as painstakingly vulnerable and fragile, situating itself in a dialogue with a long art historical tradition.

Through its intimate sense of melancholic longing and awaiting, this work saliently enacts female subjectivity as painstakingly vulnerable and fragile, situating itself in a dialogue with a long art historical tradition.