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Two Paintings: Beach Ball - Signed Print by Roy Lichtenstein 1984 - MyArtBroker

Two Paintings: Beach Ball
Signed Print

Roy Lichtenstein

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Planographic print

Edition size: 60

Year: 1984

Size: H 92cm x W 94cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Roy Lichtenstein's Two Paintings: Beach Ball (signed) is estimated to be worth between £50,000 to £80,000. This planographic print from 1984 has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of four total sales since its entry to the market on 28th October 2011. The hammer price over the past five years has ranged from £34,808 in November 2020 to £48,810 in October 2019. The edition size of this artwork is limited to 60.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2021Phillips New York United States
October 2014Christie's New York United States
December 2013Phillips London United Kingdom
October 2011Sotheby's New York United States

Meaning & Analysis

Mounted on a striped wall, Two Paintings: Beach Ball contrasts the composition of two disparate imaginary portraits. On the left hangs a regency style frame, depicting a reclining figure by the sea. Similar to the shapes of Lichtenstein’s Surrealist series, the captured forms are fluid and composed entirely of red dots. At the bottom left of the canvas sits a minimalist frame, exhibiting silver brushstrokes on a black and white faux-burlap background. Lichtenstein’s concurrent Seven Apple Woodcuts and later Brushstroke Faces achieve similar imitations of the emotive manner of Abstract Expressionism.

The irony of this print is mainly established through the thematic comparison of the spontaneous painterly sweeps and the detached cartoon aesthetic. The contrast is further enforced by the cropping of forms, which asserts the object quality of the work. Lichtenstein presents the idealised tradition of autographic mark making as equal to commercial types of imagery. By framing and exhibiting them both as masterpieces, the artist achieves an added connotation of self-parody.

  • Roy Lichtenstein, born in New York, 1923, is a seminal figure in the Pop Art movement, renowned for his comic book and advertisement-inspired artworks. His transformative journey from classical painter to Pop Art pioneer began with his iconic piece, Look Mickey, marking the fusion of painting with pop culture. Lichtenstein’s works, including Whaam!, Drowning Girl, and Crying Girl, blend parody and satire, challenging the boundaries between popular culture and ‘high art’. With over 5,000 pieces to his name, Lichtenstein’s enduring influence resonates in contemporary art, his works celebrated in prestigious institutions worldwide.

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