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Painting On A Blue And Yellow Wall - Signed Print by Roy Lichtenstein 1984 - MyArtBroker

Painting On A Blue And Yellow Wall
Signed Print

Roy Lichtenstein

£17,000-£26,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$50,000 Value Indicator

¥160,000-¥250,000 Value Indicator

€20,000-€30,000 Value Indicator

$180,000-$280,000 Value Indicator

¥3,380,000-¥5,160,000 Value Indicator

$23,000-$35,000 Value Indicator

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112 x 72cm, Edition of 60, Planographic print

Medium: Planographic print

Edition size: 60

Year: 1984

Size: H 112cm x W 72cm

Signed: Yes

Format: Signed Print

Last Auction: March 2023

Value Trend:

1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2023
Christie's London
United Kingdom
N/A
N/A
N/A
September 2022
DuMouchelles
United States
November 2019
Bonhams New York
United States
April 2019
Christie's New York
United States
April 2010
Christie's New York
United States
April 2008
Christie's New York
United States
September 2007
Christie's London
United Kingdom
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Roy Lichtenstein's signed Planographic Print, Painting On A Blue And Yellow Wall from 1984, is estimated to be worth between £17,000 and £26,000. This screenprint has shown consistent value growth, with an average annual growth rate of 3%. Over the past five years, the hammer price has ranged from £20,160 in March 2023 to £24,098 in September 2022. This work is somewhat rare, having been sold 7 times at auction since its entry to the market in September 2007. The edition size of this artwork is limited to 60.

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Meaning & Analysis

Similar toPainting In A Gold Frame from the same series, Painting On A Blue And Yellow Wall showcases a small section of an imaginary painting. Its modern silver frame is mounted on a blue and yellow faux-wood wall. Combining hand-painted and machine-made patterns, the portrait reveals expressive pastel sweeps intersected by schematic cartoon strokes. Lichtenstein’s concurrent Seven Apple Woodcuts and subsequent Brushstroke Faces pursue a similar exploration of the painterly gestures of Abstract Expressionism.

Formal contrasts are elaborated seamlessly in Painting On A Blue And Yellow Wall, mainly through the ironic juxtaposition of high and low culture. Furthermore, Lichtenstein’s characteristically graphic and detached forms evoke an additional layer of self-parody. His use of cropping and the vague surface dimensions assert the object quality of his artwork. Ultimately, he presents a print that is an image in itself, as well being the representation of another image. In doing so, Lichtenstein’s artwork undermines ideas of artistic originality.