Bull IV
Bull IV
Signed Mixed Media
Roy Lichtenstein
£10,500-£16,000Value Indicator
$22,000-$35,000 Value Indicator
$19,000-$29,000 Value Indicator
¥100,000-¥160,000 Value Indicator
€12,000-€18,000 Value Indicator
$110,000-$170,000 Value Indicator
¥2,080,000-¥3,170,000 Value Indicator
$14,000-$22,000 Value Indicator
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69 x 89cm, Edition of 100, Mixed Media
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Meaning & Analysis
Roy Lichtenstein’s six part Bulls series from 1973 is a study of the correlation between figuration and abstraction. More specifically, it’s an exploration of art forms and printing techniques in transformation. In this series, Lichtenstein draws primarily on Theo van Doesburg’s pencil studies, The Cow (1916-17), and Pablo Picasso’s lithographs, The Bull (1945-46). Both artists abstracted the image of the animal in order to find its truest form.
Following an in-depth investigation of photographs found in 1970s cattle sales catalogues, Lichtenstein renders the image of the bull in line with his art historical predecessors. Contrary to van Doesburg and Picasso however, he calls into question the presumed distinction between realistic and abstract depictions. Basing his prints on preconceived drawings and reworked preparatory collages, he gradually reworks the naturalistic image of the bull into a mere cypher.
Bull IV is graphically slick and applies a combination of screenprint and lithography, with the addition of line cut, a process usually associated with commercial printing. Extracting the simplified forms and primary colours of Bull III, the work obscures the animal’s shape further. The bull’s tail and horns are emphasised through Lichtenstein’s comic book style, while the rest of its body is close to an indecipherable arrangement of colourful geometric shapes.
Roy Lichtenstein, born in New York, 1923, is a seminal figure in the Pop Art movement, renowned for his comic book and advertisement-inspired artworks. His transformative journey from classical painter to Pop Art pioneer began with his iconic piece, Look Mickey, marking the fusion of painting with pop culture. Lichtenstein’s works, including Whaam!, Drowning Girl, and Crying Girl, blend parody and satire, challenging the boundaries between popular culture and ‘high art’. With over 5,000 pieces to his name, Lichtenstein’s enduring influence resonates in contemporary art, his works celebrated in prestigious institutions worldwide.
