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Mask - Signed Print by Roy Lichtenstein 1989 - MyArtBroker

Mask
Signed Print

Roy Lichtenstein

£25,000-£35,000Value Indicator

$50,000-$70,000 Value Indicator

$45,000-$60,000 Value Indicator

¥240,000-¥340,000 Value Indicator

€29,000-€40,000 Value Indicator

$270,000-$380,000 Value Indicator

¥4,950,000-¥6,930,000 Value Indicator

$35,000-$50,000 Value Indicator

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140 x 104cm, Edition of 60, Planographic print

Medium: Planographic print

Edition size: 60

Year: 1989

Size: H 140cm x W 104cm

Signed: Yes

Format: Signed Print

Last Auction: January 2025

Value Trend:

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

3 in network
5 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
January 2025
Phillips London
United Kingdom
N/A
N/A
N/A
March 2020
Christie's London
United Kingdom
March 2017
Christie's London
United Kingdom
February 2013
Phillips London
United Kingdom
May 2009
Sotheby's New York
United States
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Track auction value trend

The value of Roy Lichtenstein’s Mask, a signed Planographic Print from 1989, is estimated to be worth between £25,000 and £35,000. This artwork has shown consistent value growth, with an average annual growth rate of 5%. Over the past 12 months, the average selling price was £24,000, with a total of 1 artwork sold. This work has an auction history of 5 total sales since its entry to the market in May 2009. The edition size of this artwork is limited to 60.

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Meaning & Analysis

Lichtenstein exploits the abstract qualities of his own pictorial language in Mask. The expressive potential of the brushstroke becomes the tool, with which he explores the formal concerns of painting. In line with other works from the same series, like Green Face for instance, Lichtenstein appoints the brushstrokes as his main composition in this work.

As opposed to the pastel colour palette of the other prints in this series, Mask makes use of dark pigments. Similar to Blue Face, a black dotted patch constitutes the face of the figure. It alludes to the origins of the Brushstroke series, which were based on images derived from a comic book source. The outline of a mouth is marked in bright red, while the black and indigo smudges above it are indicative of eyes. As the ascending brushstrokes are intersected by upwards flowing ones, the work is imbued with an almost musical undertone.

The production of this print combined a number of different printing processes, including lithography, screen print and woodcut. Beeswax was employed for the lithographs in this series, as an alternative to printer’s ink. This in turn induced a polished surface texture once printed on the exquisite watercolour paper utilised by the Brushwork Faces series.