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Portrait - Signed Print by Roy Lichtenstein 1989 - MyArtBroker

Portrait
Signed Print

Roy Lichtenstein

£27,000-£40,000Value Indicator

$60,000-$80,000 Value Indicator

$50,000-$70,000 Value Indicator

¥260,000-¥390,000 Value Indicator

€30,000-€45,000 Value Indicator

$290,000-$420,000 Value Indicator

¥5,300,000-¥7,860,000 Value Indicator

$35,000-$50,000 Value Indicator

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136 x 87cm, Edition of 60, Planographic print

Medium: Planographic print

Edition size: 60

Year: 1989

Size: H 136cm x W 87cm

Signed: Yes

Format: Signed Print

Last Auction: September 2023

Value Trend:

18% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2023
Lama
United States
N/A
N/A
N/A
October 2022
Sotheby's New York
United States
May 2021
Sotheby's New York
United States
April 2019
Phillips New York
United States
June 2017
Phillips London
United Kingdom
April 2015
Christie's New York
United States
April 2014
Phillips New York
United States
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The value of Roy Lichtenstein’s Portrait (signed) is estimated to be worth between £27,000 and £40,000. This planographic print, created in 1989, has shown consistent value growth, with an average annual growth rate of 4%. This is a rare artwork with an auction history of 9 total sales since its entry to the market in October 2008. The hammer price over the past five years has ranged from £25,634 in September 2023 to £28,511 in May 2021. The edition size of this artwork is limited to 60.

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Meaning & Analysis

Portrait employs a compact format and muted colour scheme comparable to Blue Faceand Green Facefrom the same series. Intersecting brushstrokes in eggshell, mint green and ash brown span the centre of the canvas. However, as opposed to the aforementioned works, Liechtenstein’s traditional red Ben Day dots and blue stripes are firmly incorporated in the main composition of Portrait. Additionally, a considerably enlarged flat sweep of bright yellow on the right hand side of the print, similar to the one featured in Blonde, bears the distinct cartoonish signature of the artist.

The production of this print combined a number of different printing processes, including lithography, screen print and woodcut. Beeswax was employed for the lithographs in this series, as an alternative to printer’s ink. This in turn induced a polished surface texture once printed on the exquisite watercolour paper utilised by the Brushwork Faces series.