Red Barn
Red Barn
Signed Print
Roy Lichtenstein
£26,000-£40,000
$50,000-$80,000 Value Indicator
$45,000-$70,000 Value Indicator
¥240,000-¥370,000 Value Indicator
€30,000-€50,000 Value Indicator
$250,000-$390,000 Value Indicator
¥5,130,000-¥7,890,000 Value Indicator
$30,000-$50,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1969
Size: H 37cm x W 43cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| Sotheby's London | United Kingdom | ||||
| October 2024 | Sotheby's New York | United States | |||
| October 2024 | Sotheby's New York | United States | |||
| September 2024 | Sotheby's New York | United States | |||
| July 2023 | New Orleans Auction Galleries | United States | |||
| May 2023 | Grisebach | Germany | |||
| March 2023 | Sotheby's Online | United Kingdom |
Meaning & Analysis
Roy Lichtenstein’s Red Barn from 1969 presents a vivid pop vision of the secluded American countryside. Adapting idyllic scenes painted by previous generations of artists, the work demonstrates Lichtenstein’s own take on the traditions of landscape painting. Portrayed in the artist’s customary cartoon style, Red Barn uses strong colours, graphic outlines, and dense areas of Ben Day dots.
Stylised and purified, Lichtenstein refashions his rural subject matter in a remarkably economical manner. Nestled amid lush green vegetation and winding dirt roads, his crimson barn is a striking and dramatic addition to the scenery. Its sharply pitched roof and towering silo are boldly silhouetted against the vagrant cloud formation hovering above it. Lichtenstein couples an unembellished facade with partially outlined windows and subtle recesses for doorways. The artist supplies dimensionality to the flat picture plane by coating the sides of the building in dark shadows.
Red Barn zeroes in on the most important visual aspects of the landscape and the architectural structure. The composition undermines illusionism by the means of abstraction, affirming Lichtenstein’s mastery of decoding images and signs. His choice of genre, as well as his simplified style, serve to obscure the imagery in a way that makes it both accessible and unplaceable.