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Red Barn - Signed Print by Roy Lichtenstein 1969 - MyArtBroker

Red Barn
Signed Print

Roy Lichtenstein

£29,000-£45,000Value Indicator

$60,000-$90,000 Value Indicator

$50,000-$80,000 Value Indicator

¥280,000-¥440,000 Value Indicator

€35,000-€50,000 Value Indicator

$310,000-$480,000 Value Indicator

¥5,740,000-¥8,910,000 Value Indicator

$40,000-$60,000 Value Indicator

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37 x 43cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 1969

Size: H 37cm x W 43cm

Signed: Yes

Format: Signed Print

Last Auction: October 2024

Value Trend:

29% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Sotheby's New York
United States
N/A
N/A
N/A
September 2024
Sotheby's New York
United States
July 2023
New Orleans Auction Galleries
United States
May 2023
Grisebach
Germany
March 2023
Sotheby's Online
United Kingdom
July 2021
Koller Zurich
Switzerland
December 2018
Lempertz, Cologne
Germany
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Track auction value trend

The value of Roy Lichtenstein’s Red Barn (signed) is estimated to be worth between £29,000 and £45,000. This screenprint has shown consistent value growth, with an average annual growth rate of 29%. Over the past 12 months, the average selling price was £30,841 across 1 total sale. This work has an auction history of 21 total sales since its entry to the market in November 2007. The edition size of this artwork is limited to 250.

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Meaning & Analysis

Stylised and purified, Lichtenstein refashions his rural subject matter in a remarkably economical manner. Nestled amid lush green vegetation and winding dirt roads, his crimson barn is a striking and dramatic addition to the scenery. Its sharply pitched roof and towering silo are boldly silhouetted against the vagrant cloud formation hovering above it. Lichtenstein couples an unembellished facade with partially outlined windows and subtle recesses for doorways. The artist supplies dimensionality to the flat picture plane by coating the sides of the building in dark shadows.

Red Barn zeroes in on the most important visual aspects of the landscape and the architectural structure. The composition undermines illusionism by the means of abstraction, affirming Lichtenstein’s mastery of decoding images and signs. His choice of genre, as well as his simplified style, serve to obscure the imagery in a way that makes it both accessible and unplaceable.