Radiant Baby
Radiant Baby
Signed Print
Keith Haring
£15,000-£23,000
$29,000-$45,000 Value Indicator
$27,000-$40,000 Value Indicator
¥140,000-¥210,000 Value Indicator
€18,000-€27,000 Value Indicator
$150,000-$230,000 Value Indicator
¥2,920,000-¥4,480,000 Value Indicator
$20,000-$30,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1990
Size: H 53cm x W 64cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2024 | Freeman's - United States | Radiant Baby - Signed Print | |||
| May 2024 | SBI Art Auction - Japan | Radiant Baby - Signed Print | |||
| June 2023 | Rago - United States | Radiant Baby - Signed Print | |||
| December 2021 | A.N. Abell Auction Company - United States | Radiant Baby - Signed Print | |||
| December 2019 | Sotheby's New York - United States | Radiant Baby - Signed Print | |||
| September 2011 | Christie's London - United Kingdom | Radiant Baby - Signed Print | |||
| October 2006 | Bonhams New Bond Street - United Kingdom | Radiant Baby - Signed Print |
Meaning & Analysis
This signed screen print from 1990 is a limited edition of 250 from Keith Haring’s Icons series. Radiant Baby is cherished as Haring’s most recognisable image. It shows a bright orange cartoon child, crawling on its hands and knees, with a sky-blue backdrop. Rendered in his characteristic pop-graffiti style, the figure is boldly outlined in black with thick, radiating lines pulsating from its body. The symbol first emerged in Haring’s work during his days as a subway artist in New York, where he used the Radiant Baby in place of his signature, known as his ‘tag’, on public art projects.
Rooted in his encounter with the Jesus Movement of the 1970s, Haring reworks the group’s Christian iconography to critique organised religion and the government amidst the AIDS epidemic in 1980s New York. In this print, rays emanate from the child’s body, imitating a well-known convention in religious art to emphasise the baby as a holy figure like Jesus Christ. As with other prints in the series, like Angel and Flying Devil, Haring depicts religious iconography in the visual vocabulary of a cartoon, thus producing a cynical and ambiguous image.
Radiant Baby is a noteworthy example of how Haring created optimistic icons for his generation, to be displayed in public spaces during a time of technological acceleration, rampant capitalism and political turmoil. Haring described the Radiant Baby as “the purest and most positive experience of human existence” and used the figure as a symbol of hope for the future.
