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Sara Dancing In A Sparkly Top - Signed Print by Julian Opie 2008 - MyArtBroker

Sara Dancing In A Sparkly Top
Signed Print

Julian Opie

£10,000-£14,500Value Indicator

$20,000-$29,000 Value Indicator

$18,000-$26,000 Value Indicator

¥90,000-¥130,000 Value Indicator

€12,000-€17,000 Value Indicator

$100,000-$140,000 Value Indicator

¥1,890,000-¥2,730,000 Value Indicator

$12,500-$18,000 Value Indicator

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99 x 49cm, Edition of 45, Digital Print

Medium: Digital Print

Edition size: 45

Year: 2008

Size: H 99cm x W 49cm

Signed: Yes

Format: Signed Print

Last Auction: November 2022

Value Trend:

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2022
Bonhams New Bond Street
United Kingdom
$17,000
$20,000
$25,000
April 2020
Sotheby's New York
United States
March 2011
Christie's London
United Kingdom
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Track auction value trend

The value of Julian Opie's Sara Dancing In A Sparkly Top (signed) is estimated to be worth between £10,000 and £14,500. This digital print artwork, created in 2008, has shown consistent value growth over the past five years. The hammer price has ranged from £16,074 in April 2020 to £17,000 in November 2022. This artwork is popular on the market, having been sold 3 times since its initial sale in March 2011. The edition size of this artwork is limited to 45.

Created with Highcharts 11.4.8Mar 2011Feb 2013Feb 2015Jan 2017Dec 2018Dec 2020Nov 2022$14,000$16,000$18,000$20,000$22,000$24,000$26,000© MyArtBroker

Meaning & Analysis

Opie draws on graphics from contemporary life, including computer graphics to road signs. Opie’s resulting signature style is a stripped-down vocabulary of schematic lines and blocks of colour. However, Sara Dancing In A Sparkly Top is monochrome, emphasising the simplified elements of his composition. Often using inkjet printing techniques to form multiples of his artworks, Opie revels in the materiality of these hypermodern mediums. Opie favours such mediums for their lack of subjectivity and individuality, which dissolves the self of the artist and places the work of the art to the front stage.