The World's Largest Modern & Contemporary Prints & Editions Platform
Flow (P5) - Unsigned Print by Gerhard Richter 2013 - MyArtBroker

Flow (P5)
Unsigned Print

Gerhard Richter

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

18 x 18cm, Edition of 500, Digital Print

Medium: Digital Print

Edition size: 500

Year: 2013

Size: H 18cm x W 18cm

Signed: No

Format: Unsigned Print

Last Auction: June 2018

TradingFloor

1 in network
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2018
Sotheby's Milan
Italy
$4,450
$5,000
$6,500
September 2017
Sotheby's London
United Kingdom
June 2017
Ketterer Kunst Hamburg
Germany
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Gerhard Richter's Flow (P5) (unsigned), a Digital Print from 2013, is estimated to be worth between £2,050 and £3,050. This artwork has been sold 3 times at auction since its initial sale on 9th June 2017. There have been no sales in the last 12 months and the average annual growth rate is 10%. The edition size of this artwork is limited to 500.

Created with Highcharts 11.4.8Jun 2017Aug 2017Oct 2017Dec 2017Feb 2018Apr 2018Jun 2018$3,500$4,000$4,500$5,000$5,500$6,000$6,500$7,000© MyArtBroker

Meaning & Analysis

A combination of large, fluid strokes and intricate detail, this work is one of Richter’s most successful experimentations with diluted oil paints. Striking for its difference from prints in the Cage Prints, Cage f.ff and Cage Grid series, which all reference paintings that have been completed with the use of large, home-made squeegees, Flow (P5) shows Richter at his most spontaneous. Floating different hues of paint over the top of a horizontal surface, Richter allows his materials to interact as they wish, independent of his hand. Towards the top of this image, the chemical nature of oil paint comes to the fore, with the fluid dynamics - and mechanics - of these materials giving the work a sense of independent motion.

As an East German student at the Dresden Academy, Richter was only able to visit West Berlin twice a year. There, the artist was shocked by the vibrant visual and artistic cultures that existed outside of the Soviet sphere of influence; films and exhibitions, such as the famous The Family of Man exhibition organised by Edward Steichen of New York’s Museum of Modern Art (MoMA), were world-changing for the artist. The photographic basis of this particular exhibition had a profound impact on a young Richter, who before then ‘knew only paintings’. Here, Richter departs from his keen emphasis on process and the technological, leaving everything up to  error and serendipity: to chance.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.