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Aladin (P11) - Unsigned Print by Gerhard Richter 2014 - MyArtBroker

Aladin (P11)
Unsigned Print

Gerhard Richter

£1,800-£2,700Value Indicator

$3,700-$5,500 Value Indicator

$3,350-$5,000 Value Indicator

¥17,000-¥26,000 Value Indicator

2,100-3,100 Value Indicator

$19,000-$29,000 Value Indicator

¥360,000-¥540,000 Value Indicator

$2,450-$3,650 Value Indicator

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37 x 50cm, Edition of 500, Digital Print

Medium: Digital Print
Edition size: 500
Year: 2014
Size: H 37cm x W 50cm
Signed: No
Format: Unsigned Print
Last Auction: September 2024
Value Trend:
-11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2024
Phillips New York
United States
$2,050
$2,400
$3,050
April 2024
Phillips Hong Kong
Hong Kong
January 2024
SBI Art Auction
Japan
January 2024
Phillips London
United Kingdom
November 2021
Sotheby's Paris
France
November 2021
Christie's Paris
France
September 2021
Sotheby's Online
United Kingdom
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Track auction value trend

The value of Gerhard Richter's Aladin (P11) (2014) is estimated to be worth between £1,800 and £2,700. In the last 12 months, the artwork has sold once, with an average selling price of £1,843. Over the past five years, the hammer price has varied from £1,600 in January 2024 to £3,983 in January 2024. The current average annual growth rate is -11%. This work has a strong auction history, having been sold 23 times since its initial sale in September 2015. The edition size of this artwork is limited to 500.

Created with Highcharts 11.4.8Sep 2021Mar 2022Sep 2022Mar 2023Sep 2023Mar 2024Sep 2024$1,500$1,750$2,000$2,250$2,500$2,750$3,000$3,250© MyArtBroker

Meaning & Analysis

Dissimilar from works in Richter’s Colour Charts, Cage Prints, Cage f.ff and Cage Grid series, Aladdin (P11) is a digital print which sees Richter experiment with the creative possibilities of surface tension and painting. Where in his squeegee-based Cage paintings Richter might turn to the squeegee as a tool for applying and embellishing ‘classic’ tones of oil paint, here the artist sets his medium on the floor, diluting paints and allowing them to travel across its surface. Leaving the work open to error and serendipity alike, there is a deep sense of experimentation in its bright, dream-like composition.

As an art student of the 1950s, Richter is fiercely unusual. The recipient of an artistic training in socialist realist painting - an attribute unusual for an artist who moved to the ‘West’ in 1961 - Richter has nonetheless spent much of his career dealing with non-representation. Concerned chiefly with artistic process as opposed to likeness, Richter’s nature as a conceptual artist has led him to deal with a variety of intangible issues, ranging from memory to the divine. Always keen to disrupt tradition, Richter once confessed that his artistic practice has the ultimate goal of bringing about the ‘death’ of painting.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.