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Schweizer Alpen II - A2 - Signed Print by Gerhard Richter 1969 - MyArtBroker

Schweizer Alpen II - A2
Signed Print

Gerhard Richter

£16,000-£23,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$40,000 Value Indicator

¥150,000-¥220,000 Value Indicator

19,000-27,000 Value Indicator

$170,000-$240,000 Value Indicator

¥3,190,000-¥4,580,000 Value Indicator

$21,000-$30,000 Value Indicator

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69 x 69cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 1969
Size: H 69cm x W 69cm
Signed: Yes
Format: Signed Print
Last Auction: December 2017
Value Trend:
31% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2017
Karl & Faber
Germany
£4,852
£5,708
£7,134
March 2016
Lempertz, Cologne
Germany
December 2005
Koller Zurich
Switzerland
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Track auction value trend

The value of Gerhard Richter’s Schweizer Alpen II - A2 (signed) is estimated to be worth between £16,000 and £23,000. This screenprint, created in 1969, has shown consistent value growth, with an auction history of three sales since its entry to the market on 7th December 2005. This is a rare artwork with an auction history of three sales since its entry to the market on 7th December 2005. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8Dec 2005Dec 2007Dec 2009Dec 2011Dec 2013Dec 2015Dec 2017£4,000£4,500£5,000£5,500£6,000£6,500£7,000£7,500£8,000© MyArtBroker

Meaning & Analysis

Bold, hard-edged and gestural, Schweizer Alpen II - A2 speaks to Richter’s prowess as a painter. Uniting abstraction with representation to dramatic effect, this print underscores the abstract nature of the natural world. Recalling works in the Canaries Landscapes collection, this print also makes use of the aerial view. Allowing for the depiction of a scene not unlike that visible from a plane window, or a viewpoint, the aerial point of vision is an important conceptual motif in Richter’s œuvre. Rare in previous art history, it is present in many other works, such as Schweizer Alpen I - B3 (1969) and Bridge 14 Feb 45 (III) (2000), and references Richter’s positioning at the interface between painting and photography.

A disquisition of the image that goes beyond the artist’s historical portraits (i.e. the iconic 48 Portraits (1972) series that won Richter international acclaim at the Venice Biennale), the aerial view signals the presence of photographic technology within the field of an otherwise painterly creation. Hinting at the importance of the camera lens in contemporary art, Richter brings the present into productive contact with the past, using it to invoke German Romantic painting and Caspar David Friedrich.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.

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