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Hood - Signed Print by Gerhard Richter 1996 - MyArtBroker

Hood
Signed Print

Gerhard Richter

£1,550-£2,350Value Indicator

$3,200-$4,900 Value Indicator

$2,850-$4,350 Value Indicator

¥15,000-¥23,000 Value Indicator

1,800-2,750 Value Indicator

$16,000-$24,000 Value Indicator

¥290,000-¥440,000 Value Indicator

$2,050-$3,100 Value Indicator

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44 x 44cm, Edition of 60, Lithograph

Medium: Lithograph
Edition size: 60
Year: 1996
Size: H 44cm x W 44cm
Signed: Yes
Format: Signed Print
Last Auction: October 2024
Value Trend:
-8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Bonhams Los Angeles
United States
$1,700
$2,000
$2,550
June 2024
Phillips London
United Kingdom
April 2024
Phillips New York
United States
November 2023
Sotheby's Paris
France
November 2023
Van Ham Fine Art Auctions
Germany
February 2023
Ketterer Kunst Hamburg
Germany
December 2017
Lempertz, Cologne
Germany
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Track auction value trend

The value of Gerhard Richter's Hood (signed) is estimated to be worth between £1,550 and £2,350. This lithograph print, created in 1996, has shown consistent value growth since its first sale in November 2006. Over the past 12 months, the average selling price was £1,753, across a total of 2 sales. In the last five years, the hammer price has varied from £1,506 in October 2024 to £11,772 in February 2023. This work has an auction history of 10 total sales. The edition size of this artwork is limited to 60.

Created with Highcharts 11.4.8Dec 2017Feb 2019Mar 2020May 2021Jul 2022Aug 2023Oct 2024$1,250$1,500$1,750$2,000$2,250$2,500$2,750© MyArtBroker

Meaning & Analysis

The practice of overpainting has been key to Gerhard Richter’s works ever since he started to experiment with the medium of photography. In such artworks as Firenze, Richter covers photographs with vibrant swirls of colours, applying the paint directly to the photographic surface. The artist commented in the context of his practice: “I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.