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After Second Version Of The Triptych 1944 (left panel) - Signed Print by Francis Bacon 1988 - MyArtBroker

After Second Version Of The Triptych 1944 (left panel)
Signed Print

Francis Bacon

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62 x 46cm, Edition of 60, Lithograph

Medium: Lithograph

Edition size: 60

Year: 1988

Size: H 62cm x W 46cm

Signed: Yes

Format: Signed Print

Last Auction: March 2010

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2010
Bonhams Knightsbridge
United Kingdom
$2,850
$3,350
$4,050
June 2007
Artcurial
France
June 2006
Christie's London
United Kingdom
MyPortfolio
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The value of Francis Bacon's After Second Version Of The Triptych 1944 (left panel) is estimated to be worth between £3,550 and £5,500. This signed lithograph print was created in 1988 and has shown consistent value growth, with an auction history of three total sales since its entry to the market on 28th June 2006. The edition size of this artwork is limited to 60.

Created with Highcharts 11.4.8Jun 2006Jan 2007Sep 2007Apr 2008Dec 2008Jul 2009Mar 2010$2,250$2,500$2,750$3,000$3,250$3,500$3,750$4,000© MyArtBroker

Meaning & Analysis

In this left panel, the first of the three writhing anthropomorphic creatures is placed left of centre and is engulfed in a blood red void. The pink flesh toned creature seemingly rests on a table and its body parts fuse and fold onto one another presenting an unfamiliar form. Dark and transparent patches seep up into the plane from below creating a dirty smoke or soot-like effect. A lightly coloured horizontal line splits the red background suggesting the creatures are in a room.

The lithograph is part of an edition size of 60. It has a disturbing and sinister atmosphere reflecting that of the original 1944 piece. However, the use of a deep red background was, according to the artist, less shocking for the viewer than the original burnt orange. Similarly, the smaller size of the creatures against the engulfing red background makes them less threatening than the original but nonetheless unsettling in their form and seclusion in the space.

  • Irish-born artist, Francis Bacon, has produced some of the most famous paintings in the British Contemporary canon. The 20th century maverick's visceral and emotionally charged canvases redefined figurative art. Exploring harrowing themes of trauma, sexuality, religion and violence, Bacon forces the viewer to confront the human psyche and the dark realities of human emotion. Often working from memory or his own imagination, there is a clear morphing of influences on Bacon’s work. An unusual combination of imagery is the result of his exposure to canonical artists such as Velazquez, Picasso and Rembrandt alongside his exploration of medical textbooks and photographic stills.

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