Mist
Mist
Signed Print
David Hockney
£21,000-£30,000
$40,000-$60,000 Value Indicator
$35,000-$50,000 Value Indicator
¥180,000-¥260,000 Value Indicator
€24,000-€35,000 Value Indicator
$210,000-$300,000 Value Indicator
¥3,530,000-¥5,050,000 Value Indicator
$26,000-$40,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 98
Year: 1973
Size: H 73cm x W 63cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2023 | Sotheby's New York - United States | Mist - Signed Print | |||
| March 2023 | Christie's New York - United States | Mist - Signed Print | |||
| April 2021 | Christie's New York - United States | Mist - Signed Print | |||
| September 2018 | Wright - United States | Mist - Signed Print | |||
| September 2017 | Christie's New York - United States | Mist - Signed Print | |||
| February 2016 | Wright - United States | Mist - Signed Print | |||
| June 2015 | Uppsala Auktionskammare - Sweden | Mist - Signed Print |
Meaning & Analysis
Featuring LA’s iconic palm trees, Mist is a quietly beautiful work from David Hockney’s 1973 The Weather series. Receding into the distance the trees frame a low flat roofed building at the left of the composition while the mist of the title suffuses the scene in a soft pink and grey glow. Here we see the influence of Japanese prints by masters such as Hiroshige and Hokusai on Hockney, who had visited Japan in 1971. Hockney was particularly taken by the woodblock printing tradition and many of the prints in this series reference the Ukiyo-e style. The work also has a close European influence however, in Monet’s painting of poplar trees along the River Epte, and with this in mind we can see the importance of Impressionism on Hockney’s landscapes – from LA to Yorkshire – which are perhaps most concerned with the play of light and time on space. Dating to 1973, The Weather series was produced in collaboration with master printers Gemini G.E.L. of LA whom Hockney had worked with before on portfolios such as A Hollywood Collection and with whom he make the famous Friends series.
