The World's Largest Modern & Contemporary Prints & Editions Platform
Bedlam - Signed Print by David Hockney 1963 - MyArtBroker

Bedlam
Signed Print

David Hockney

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

30 x 40cm, Edition of 50, Etching

Medium: Etching

Edition size: 50

Year: 1963

Size: H 30cm x W 40cm

Signed: Yes

Format: Signed Print

Last Auction: May 2012

TradingFloor

2 want this
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
May 2012
Karl & Faber
Germany
$4,800
$5,500
$7,000
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of David Hockney's Bedlam (signed) is estimated to be worth between £13,000 to £19,000. This etching print, created in 1963, is a rare artwork with an auction history of one sale on 24th May 2012. There have been no sales in the last 12 months or the last five years. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8May 2012$6,752© MyArtBroker

Meaning & Analysis

This print is part of Hockney’s homage to William Hogarth and loose documentation of his first visit to New York in 1961. Here we are presented with the culmination of the story told throughout the prints. The figure in the radio t-shirt from the print before, Meeting The Other People, has been replicated to become five men standing in a row with their backs to us.

Each is wearing a headphone on their right side from which music is playing. They face a wall emblazoned with the word ‘Bedlam’ in bright red capital letters. While Hockney’s version often strayed from Hogarth’s subject matter, here they converge again, albeit in entirely different ways. Hogarth’s protagonist, Tom Rakewell also ends up in a mental institution, however the 18th century artist’s take on the scene is highly detailed and follows the linear narrative that runs throughout the series. Hockney instead takes a more abstract approach to both subject and style, presenting fragmented scenes and spare compositions, often relying on large areas of black ink and clouds of red to convey a sense of foreboding and misfortune.

While not as straightforward to read, these images are powerful in the sense of unease they evoke in the viewer who is left with misgivings about life in modern America.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

More from A Rake’s Progress

More from David Hockney