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Freda Bringing Ann & Me A Cup Of Tea - Signed Print by David Hockney 1983 - MyArtBroker

Freda Bringing Ann & Me A Cup Of Tea
Signed Print

David Hockney

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149 x 172cm, Edition of 10, Photographic print

Medium: Photographic print

Edition size: 10

Year: 1983

Size: H 149cm x W 172cm

Signed: Yes

Format: Signed Print

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2011
Sotheby's New York
United States
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February 2011
Sotheby's Online
United Kingdom
November 1995
Christie's London
United Kingdom
June 1992
Christie's London
United Kingdom
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The value of David Hockney’s Freda Bringing Ann & Me A Cup Of Tea (signed) from 1983 is estimated to be worth between £60,000 to £100,000. This photographic print is a rare artwork, with an auction history of two sales since its entry to the market on 16th February 2011. The edition size of this artwork is limited to 10.

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Meaning & Analysis

A composite image, this signed photographic print by world-famous British artist David Hockney is an example of the artist’s ‘joiner’ artworks, or Photo Collages collection of works. Using photography in a unique and inventive way, Hockney overlays numerous images in order to stretch the artistic potential of the medium, with which by the early ‘80s he had become bored. Venting his frustration at an otherwise ‘lifeless’ photography by bringing together a multitude of different moments in one piece, Hockney remarked that he did not care whether this new compositional process was ‘art, or not’. Rather, Hockney argued that it taught him valuable lessons about art, particularly the importance of diverse ways of seeing. Expressing a multitude of movement, colour, shape, perspective, and light, this image is testament to these important lessons, containing significantly greater depth than the photographs which Hockney often used as an aid for his paintings. At the bottom of the piece, Hockney’s brown trousers anchor our view into his own. Unlike that afforded by the singular photograph, this perspective is dynamic: it morphs as we cast our eye across the page, unravelling the time-based constraints which irritated Hockney so much. Capturing a friend’s movement as she brings cups of tea down a small flight of stairs, Hockney uses his eye to liberate her from the singularity of the photograph. At the top right of the composition, Hockney includes a hand-written note from the film developers, apologising for over-exposing some of the photographs during their chemical processing.

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