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My Mother, Bolton Abbey, Yorkshire, November - Signed Print by David Hockney 1982 - MyArtBroker

My Mother, Bolton Abbey, Yorkshire, November
Signed Print

David Hockney

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119 x 69cm, Edition of 20, Photographic print

Medium: Photographic print

Edition size: 20

Year: 1982

Size: H 119cm x W 69cm

Signed: Yes

Format: Signed Print

Last Auction: April 2013

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2013
Phillips New York
United States
£5,343
£6,286
£7,858
May 1994
Christie's New York
United States
MyPortfolio
Auction Table Image
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David Hockney's My Mother, Bolton Abbey, Yorkshire, November (signed) from 1982 is a rare photographic print, estimated to be worth between £28,000 and £40,000. This artwork is an important addition to any collection, with an impressive auction history. This is the first time the artwork has been available for sale in the last 12 months. The edition size of this artwork is limited to 20.

Created with Highcharts 11.4.8May 1994Jul 1997Sep 2000Oct 2003Dec 2006Feb 2010Apr 2013£4,500£5,000£5,500£6,000£6,500£7,000£7,500£8,000£8,500© MyArtBroker

Meaning & Analysis

A composite image, this signed photographic print by world-famous British artist David Hockney is an example of the artist’s ‘joiner’ artworks, and is characteristic of the photo montage style which featured largely in his Photo Collage works. Standing out from other less intimate works in the series, this piece encapsulates the close relationship David Hockney had with his late mother, Laura. Pictured here just after the death of her husband Kenneth, David’s father, Laura appears vulnerable – slouched, as if to rest, on a gravestone in the grounds of Bolton Abbey in the pair’s native Yorkshire. Hockney’s choice of the gravestone motif is no accident: including his feet in the bottom of the composition, and thus making this piece a double portrait, the gravestone evokes the loss of a family member. Uniting himself and his mother by photographic means, he weaves their togetherness – as well as that of his father, into the fabric of the Abbey’s surroundings: a place Laura and Kenneth would visit often during together when they were young. In contrast to some of Hockney’s other ‘joiner’ pieces, here there is an absence of movement; rather than depicting every gesture of his sitter, Hockney portrays a reflective stillness in the wake of his father’s death. Looking on into the distance and with her hands in her pockets, Laura is still; despite being the focal point of the image, here Hockney ‘sits’ with her.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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