7th March 2021, More Flowers On A Table
7th March 2021, More Flowers On A Table
Signed Print
David Hockney
£35,000-£50,000
$70,000-$100,000 Value Indicator
$60,000-$90,000 Value Indicator
¥320,000-¥460,000 Value Indicator
€40,000-€60,000 Value Indicator
$350,000-$490,000 Value Indicator
¥6,910,000-¥9,870,000 Value Indicator
$45,000-$60,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 50
Year: 2021
Size: H 89cm x W 64cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Phillips London - United Kingdom | 7th March 2021, More Flowers On A Table - Signed Print | |||
| September 2023 | Phillips London - United Kingdom | 7th March 2021, More Flowers On A Table - Signed Print |
Meaning & Analysis
7th March 2021, More Flowers On A Table is a digital print by David Hockney, created in 2021. This artwork presents a floral arrangement in a vase atop a blue and white gingham tablecloth, set against a deep brown background. Hockney used an iPad to create the original painting, which was then printed on paper. The piece is part of a series of floral still lifes produced during the artist's stay in Normandy, France.
This digital print presents a bouquet in a solitary vase, with flowers in orange, white, and deep purple, rendered using a palette of deep colours and energetic digital brushstrokes. The deep brown background creates a strong contrast with the flowers, while the checkered tablecloth adds something of Hockney's more typical colour palette.
This artwork is part of a series created during Hockney's time in Normandy, reflecting his continued interest in natural subjects. The digital medium allows for a distinct interplay of light and shadow, enhancing the depth and realism of the flowers. This approach brings a modern perspective to the traditional still life genre while maintaining Hockney's characteristic style.
