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Celia Observing (black state) - Signed Print by David Hockney 1976 - MyArtBroker

Celia Observing (black state)
Signed Print

David Hockney

£3,350-£5,000Value Indicator

$7,000-$10,500 Value Indicator

$6,000-$9,000 Value Indicator

¥30,000-¥50,000 Value Indicator

€3,850-€6,000 Value Indicator

$35,000-$50,000 Value Indicator

¥670,000-¥990,000 Value Indicator

$4,500-$6,500 Value Indicator

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68 x 54cm, Edition of 20, Etching

Medium: Etching

Edition size: 20

Year: 1976

Size: H 68cm x W 54cm

Signed: Yes

Format: Signed Print

Last Auction: November 2023

Value Trend:

-12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2023
Sotheby's Online
United Kingdom
$4,100
$4,800
$6,000
October 2014
Sotheby's New York
United States
December 2013
Phillips London
United Kingdom
June 1999
Christie's London
United Kingdom
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Track auction value trend

The value of David Hockney's Celia Observing (black state) is estimated to be worth between £3,350 and £5,000. This signed etching from 1976 has an auction history of four total sales since its entry to the market in June 1999. The hammer price over the past five years has ranged from £1,992 in May 2019 to £3,666 in June 2020. The average annual growth rate of this work is currently at -12%. This artwork is a rare find, part of a limited edition of 20.

Created with Highcharts 11.4.8Jun 1999Jul 2003Aug 2007Aug 2011Sep 2015Oct 2019Nov 2023$3,000$3,500$4,000$4,500$5,000$5,500$6,000$6,500© MyArtBroker

Meaning & Analysis

Unlike Celia In A Wicker Chair (black state), an etching depicting the woman in a similar style and pose, the model here does not meet the artist’s gaze. As so frequently in Hockney’s works portraying the famous fashion designer, the scene conveys the atmosphere of intimacy. Although the title of the work links it to the process of observation, the woman appears preoccupied with her personal thoughts rather than the act of looking alone. A book tossed casually beside the armchair deepens the meditative dimension of the scene, reminding the viewer about Hockney’s interest in the emotions and inner world of his sitters.

The artist commented in this context: ‘I think the way I draw, the more I know and react to people, the more interesting the drawings will be. I don’t really like struggling for a likeness. [...] If you don’t know the person, you don’t really know if you’ve got the likeness at all.’ As such, the print represents one of Hockney’s many dialogues with tradition, especially the rich lineage of artists including Matisse and Degas whose depictions of women in domestic spaces expose the intimacy of introspection.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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