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An Image Of Celia (State I) - Signed Print by David Hockney 1986 - MyArtBroker

An Image Of Celia (State I)
Signed Print

David Hockney

£130,000-£190,000Value Indicator

$270,000-$400,000 Value Indicator

$240,000-$350,000 Value Indicator

¥1,270,000-¥1,850,000 Value Indicator

€150,000-€220,000 Value Indicator

$1,390,000-$2,030,000 Value Indicator

¥25,880,000-¥37,820,000 Value Indicator

$180,000-$260,000 Value Indicator

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126 x 99cm, Edition of 10, Lithograph

Medium: Lithograph

Edition size: 10

Year: 1986

Size: H 126cm x W 99cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

122% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Bonhams Los Angeles
United States
£126,514
£148,840
£189,027
October 2024
Sotheby's New York
United States
October 2023
Christie's New York
United States
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Track auction value trend

The value of David Hockney's An Image Of Celia (State I) (signed) is estimated to be worth between £130,000 and £190,000. Over the past five years, the hammer price ranges from £57,740 in October 2023 to £148,840 in April 2025. This lithograph print from 1986 has shown strong value growth, with an average annual growth rate of 14%. This work has a steady auction history, having been sold 3 times at auction since its initial sale in October 2023. The edition size of this artwork is limited to 10.

Created with Highcharts 11.4.8Oct 2023Jan 2024Apr 2024Jul 2024Oct 2024Jan 2025Apr 2025£100,000£120,000£140,000£160,000£180,000£200,000© MyArtBroker

Meaning & Analysis

The fine and realistic detail characterising Hockney’s early portraits is replaced here by simplistic, abstract forms: oval eyes and outsized mouth extend beyond the facial contours of the woman on the left side, invoking the aesthetics of the 1980s Vogue covers. The playful composition with its two intertwined figures at the centre of the print mediates a sense of movement, urging the viewer to imagine how the sitter changes her position from erect to reclining.

What appears to be the element of the central figure’s attire simultaneously represents a part of another figure’s body. As such, the two female figures at the centre of the print blend with one another, reflecting Hockney’s penchant for experimenting with the optical perspective and the continued search for more dynamic ways of seeing.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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