Big Celia Print #3
Big Celia Print #3
Signed Print
David Hockney
£11,500-£18,000
$23,000-$35,000 Value Indicator
$21,000-$30,000 Value Indicator
¥110,000-¥170,000 Value Indicator
€14,000-€22,000 Value Indicator
$120,000-$180,000 Value Indicator
¥2,290,000-¥3,580,000 Value Indicator
$15,000-$23,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 50
Year: 1981
Size: H 61cm x W 89cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2023 | Bonhams Los Angeles - United States | Big Celia Print #3 - Signed Print | |||
| February 2022 | Wright - United States | Big Celia Print #3 - Signed Print | |||
| April 2021 | Sotheby's Paris - France | Big Celia Print #3 - Signed Print | |||
| November 1995 | Christie's New York - United States | Big Celia Print #3 - Signed Print |
Meaning & Analysis
Big Celia Print #3 is a lithograph created by David Hockney in 1981. This artwork portrays Celia Birtwell, a textile designer and recurring subject in Hockney's work, using bold black lines against a white background. The piece showcases Hockney's skill in lithography, a printmaking technique he frequently employed. Through this medium, he captures Birtwell's likeness with minimalistic yet precise detail, demonstrating his ability to distil complex subjects into their essential elements.
In Big Celia Print #3, Hockney employs a monochromatic palette to depict his long-time friend and model, Celia Birtwell. The lithograph captures Birtwell in a relaxed pose, her form defined by fluid lines that convey both her physical presence and personality. This piece is part of a series of prints Hockney created in the early 1980s, focusing on Birtwell, who has been a significant figure in his work since the 1960s.
The lithographic process used for this print involves drawing on a flat stone or metal plate with an oil-based medium. This technique allows for nuanced line work and texture, creating depth within the two-dimensional composition. The simplicity of the black and white palette emphasises Hockney's control over form and his ability to communicate complex subjects through essential elements.
