The Souls III (imperial purple, silver gloss)
The Souls III (imperial purple, silver gloss)
Signed Print
Damien Hirst
£4,000-£6,000Value Indicator
$8,500-$12,500 Value Indicator
$7,500-$11,000 Value Indicator
¥40,000-¥60,000 Value Indicator
€4,650-€7,000 Value Indicator
$45,000-$60,000 Value Indicator
¥800,000-¥1,200,000 Value Indicator
$5,500-$8,000 Value Indicator
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72 x 51cm, Edition of 15, Foil Block
Medium: Foil Block
Edition size: 15
Year: 2010
Size: H 72cm x W 51cm
Signed: Yes
Format: Signed Print
Last Auction: August 2024
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Meaning & Analysis
The Souls III (imperial purple, silver gloss) is a print from Damien Hirst’s extensive series, The Souls, from 2010. The print shows a large butterfly with its wings outspread, set against a white backdrop. Depicted in purple and silver, the image of the butterfly has been rendered flat and simplified into block colours, obscuring the fine detail of the real butterfly wings.
Reminiscent of the work of Pop artist Andy Warhol, Hirst creates a vast series of prints, each with the same subject and composition. There are four species of butterflies depicted across The Souls series, each print showing one, within which there are 80 colour variations, each presented as an edition of 15. Hirst uses a foil block printing technique to give his butterflies a shimmering effect to represent the way their wings would reflect the light.
The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
