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I Once Was What You Are, You Will Be What I Am 5 - Signed Print by Damien Hirst 2007 - MyArtBroker

I Once Was What You Are, You Will Be What I Am 5
Signed Print

Damien Hirst

£3,050-£4,600Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥29,000-¥45,000 Value Indicator

3,600-5,500 Value Indicator

$30,000-$45,000 Value Indicator

¥590,000-¥880,000 Value Indicator

$4,050-$6,000 Value Indicator

-8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 48

Year: 2007

Size: H 93cm x W 85cm

Signed: Yes

Format: Signed Print

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Damien Hirst's I Once Was What You Are, You Will Be What I Am 5 (signed) from 2007 is an etching artwork with an estimated value of £3,050 to £4,600. This artwork has an auction history of one sale on 30th March 2010. The edition size of this artwork is limited to 48.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2010Sotheby's Online United Kingdom

Meaning & Analysis

Like other prints in this series, I Once Was What You Are Now 5 depicts a white skull emerging from a darkened background. With it’s chin slightly raised the skull sends a message to the viewer, challenging us to take heed. ‘The Skull’ as memento mori is a motif found throughout the history of art; it is also a recognisable symbol in Hirst’s own ouvre where the balance of life and death is a theme commonly explored.

I Once Was What You Are, You Will Be What I Am 5 can be appreciated either in isolation, or as a part of the intended group of six artworks. It is also worth considering prints in this series alongside the six etchings which comprise The Souls On Jacob’s Ladder Take Their Flight. Conceived and created in tandem, these artworks show brightly coloured butterflies on a black background.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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