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30 x 61cm, Edition of 35, Mixed Media
Medium: Mixed Media
Edition size: 35
Year: 2003
Size: H 30cm x W 61cm
Signed: Yes
Format: Signed Mixed Media
Last Auction: October 2020
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
Day By Day is a mixed media piece from Damien Hirst’s Utopia series from 2003. The work shows several rows of pills on display in a medical cabinet, each hand painted and varying in colour and size. Upon first impression, Day By Day is sterile in its aesthetic, but like many of Hirst’s works it brings profound questions of the human condition into play.
Hirst has explained why he is interested in the medical pill motif saying that, “Pills are a brilliant little form, better than any minimalist art. They’re all designed to make you buy them…they come out of flowers, plants, things from the ground, and they make you feel good, you know, to just have a pill, to feel beauty.”
Reminiscent of his sculpture from 2008 Memories of/Moments with You, Hirst brings themes of life and death into dialogue with one another, disrupting binary logics between sickness and health, addiction and rehabilitation. In Memories of/Moments with You, the pills appeared as little sculptures in themselves, rather than mass produced objects, due to their hand crafted and hand painted form that reveals the artist’s touch. Inspired by minimalism of the 1960s, Hirst’s pill cabinets bring to mind the American sculptor Donald Judd in their incessant repetition and use of colour.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.