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Isostearic Acid - Signed Print by Damien Hirst 2011 - MyArtBroker

Isostearic Acid
Signed Print

Damien Hirst

£2,900-£4,400Value Indicator

$6,000-$9,000 Value Indicator

$5,500-$8,000 Value Indicator

¥28,000-¥45,000 Value Indicator

3,350-5,000 Value Indicator

$30,000-$45,000 Value Indicator

¥580,000-¥870,000 Value Indicator

$3,900-$6,000 Value Indicator

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16 x 16cm, Edition of 55, Woodcut

Medium: Woodcut
Edition size: 55
Year: 2011
Size: H 16cm x W 16cm
Signed: Yes
Format: Signed Print
Last Auction: December 2017
Value Trend:
1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2017
Christie's New York
United States
$2,400
$2,800
$3,500
MyPortfolio
Auction Table Image
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Track auction value trend

The value of Damien Hirst’s Isostearic Acid (signed) from 2011 is estimated to be worth between £2,900 and £4,400. This woodcut print has been sold once at auction since its initial sale on 13th December 2017. There have been no sales in the last 12 months or in the last five years. The edition size of this artwork is limited to 55.

Created with Highcharts 11.4.8Dec 2017$3,482© MyArtBroker

Meaning & Analysis

The 40 Woodcut Spots series is reminiscent of Hirst’s vast series of spot paintings, of which there are over 1000 in existence, dating from 1988 to 2011. The spots represent abstraction reduced to its most basic mechanisms: colour, form and composition. The grid formula for these paintings is the basis for an unbounded series where Hirst can infinitely explore harmonious and contrasting colour combinations.

When Hirst’s first spot paintings appeared in the Freeze exhibition of 1988, this marked a turning point in the artist’s career where he began to employ assistants to create the spot paintings. As artificial as the chemicals and drugs that the titles take their inspiration from, the spot paintings appear to have been produced mechanically and without human intervention. Despite their deceiving simplicity, these works are laborious and painstaking to produce.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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