Composition With Circles 2
Composition With Circles 2
Signed Print
Bridget Riley
£10,000-£15,000
$19,000-$28,000 Value Indicator
$17,000-$26,000 Value Indicator
¥90,000-¥130,000 Value Indicator
€11,500-€17,000 Value Indicator
$100,000-$150,000 Value Indicator
¥1,680,000-¥2,520,000 Value Indicator
$12,500-$19,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 30
Year: 2001
Size: H 100cm x W 304cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2020 | Phillips London - United Kingdom | Composition With Circles 2 - Signed Print | |||
| September 2019 | Phillips London - United Kingdom | Composition With Circles 2 - Signed Print | |||
| June 2018 | Phillips London - United Kingdom | Composition With Circles 2 - Signed Print | |||
| April 2014 | Christie's London - United Kingdom | Composition With Circles 2 - Signed Print | |||
| July 2013 | Bonhams New Bond Street - United Kingdom | Composition With Circles 2 - Signed Print | |||
| February 2013 | Phillips London - United Kingdom | Composition With Circles 2 - Signed Print | |||
| November 2012 | Bonhams New Bond Street - United Kingdom | Composition With Circles 2 - Signed Print |
Meaning & Analysis
This signed screen print, Composition With Circles 2, was released in 2001 in an edition of 30 and a series of four. The print presents circles of equal diameter overlapping at intervals across a rectangular frame. The circles jostle across the surface, cut in half along the edges, creating a kaleidoscopic pattern.
Imploring the viewer to consider how it physically feels to look, Riley’s geometric patterns create perceptual disruption. Enacted with mathematical characterisation, Composition With Circles 2 is exemplar of Riley’s in-depth experiments with form, composition and visual perception.
