Soup Can (lilac, lime and blue)
Soup Can (lilac, lime and blue)
Signed Print
Banksy
£35,000-£50,000Value Indicator
$70,000-$100,000 Value Indicator
$60,000-$90,000 Value Indicator
¥330,000-¥480,000 Value Indicator
€40,000-€60,000 Value Indicator
$350,000-$510,000 Value Indicator
¥6,560,000-¥9,370,000 Value Indicator
$45,000-$70,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 10
Year: 2005
Size: H 50cm x W 35cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| May 2019 | Artcurial | France |
Meaning & Analysis
In 2005, Banksy produced a limited edition of 10 signed screen prints titled Soup Can (lilac, lime and blue), revisiting Andy Warhol's famous serialized soup cans. The print features a Tesco Value soup can, mocking greedy corporations and critiquing the consumerism Warhol celebrated.
Banksy’s original four-colour screen print, Soup Can, is a play on Andy Warhol's now-infamous Pop Art Campbell’s Soup Cans. As Pop Art with from the 1960s, Banksy has taken the image of the commercial product into the realm of art, but has transported it into a 21st century cultural context and ironic style using a Tesco tomato soup can - far less romantic than the nostalgia we now associate with Campbell’s. Banksy released different colour variations of this iconic Soup Can print, seen here in lilac, lime and blue.
Renowned British street artist, Banksy, is the enigmatic figure behind some of the most subversive works in the Urban Art scene. Despite his anonymity, the artists' disruptive stunts have not only gained him notoriety, but they have vocalised his stance on many social and political issues. As seen with the likes of Girl With Balloon and Napalm, Banksy uses his distinctive stencil technique to produce thought-provoking commentaries on challenging themes. The showcase of rebellion that lines his work has caused his secondary market value to soar in recent years, propelling him to the top of the Urban Art scene.
