£14,500-£22,000
$28,000-$45,000 Value Indicator
$26,000-$40,000 Value Indicator
¥130,000-¥200,000 Value Indicator
€17,000-€26,000 Value Indicator
$140,000-$220,000 Value Indicator
¥2,860,000-¥4,330,000 Value Indicator
$18,000-$28,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 600
Year: 2003
Size: H 100cm x W 70cm
Signed: No
Format: Unsigned Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
October 2024 | Christie's London - United Kingdom | Flying Copper - Unsigned Print | |||
September 2024 | Sotheby's London - United Kingdom | Flying Copper - Unsigned Print | |||
August 2024 | Sotheby's London - United Kingdom | Flying Copper - Unsigned Print | |||
March 2024 | Sotheby's London - United Kingdom | Flying Copper - Unsigned Print | |||
March 2024 | Tate Ward Auctions - United Kingdom | Flying Copper - Unsigned Print | |||
February 2024 | Phillips London - United Kingdom | Flying Copper - Unsigned Print | |||
October 2023 | Heffel Online - Canada | Flying Copper - Unsigned Print |
Flying Copper is a 2003 screen print by Banksy featuring his smiley face motif, released in an unsigned edition of 600. Showing an armed British policeman in complete riot gear with an acid-house smiley face pasted over his own, the prints bear a coded, rebellious message.
Flying Copper is one of Banksy’s earlier iconic image known around the world. The image depicts an armed British policeman – in complete riot gear: machine gun, walkie-talkie, cuffs, helmet – with an insertion of a disarming ‘smiley face’ (synonymous with Britain’s ‘90s rave culture) and a pair of sprayed angel wings. The background is a block of bright, sky blue.
This print is a quintessential example of Banksy’s street art style with the use of contrasting aesthetics such as photo-realistic stencils combined with graphic features demonstrates the vast disparity between what we associate with the ‘smiley face’ (happiness), and what we associate with riot gear (fear and intimidation). The little angel wings on his back accentuate an amusing juxtaposition between morality, truth, military control and intimidation. It is usual for Banksy to remind us to be sceptical and wary of authority figures abusing power and the police have been a frequent target of his critiques, such as in other works like Donuts and most famously Rude Copper.
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