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Napalm - Signed Print by Banksy 2004 - MyArtBroker

Napalm
Signed Print

Banksy

£17,000-£25,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$45,000 Value Indicator

¥160,000-¥240,000 Value Indicator

€20,000-€29,000 Value Indicator

$180,000-$260,000 Value Indicator

¥3,390,000-¥4,980,000 Value Indicator

$23,000-$35,000 Value Indicator

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50 x 70cm, Edition of 150, Screenprint

Medium: Screenprint

Edition size: 150

Year: 2004

Size: H 50cm x W 70cm

Signed: Yes

Format: Signed Print

Last Auction: March 2025

Value Trend:

-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2025
Sotheby's London
United Kingdom
$20,000
$23,000
$29,000
March 2025
Tate Ward Auctions
United Kingdom
June 2024
Tate Ward Auctions
United Kingdom
October 2023
Bukowskis, Stockholm
Sweden
April 2023
Sotheby's London
United Kingdom
December 2022
Bonhams New Bond Street
United Kingdom
June 2022
Sotheby's Online
United Kingdom
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Track auction value trend

The value of Banksy’s Napalm (signed) is estimated to be worth between £17,000 and £25,000. This screenprint has shown consistent value growth, with an average annual growth rate of 5%. Over the past 12 months, the artwork has sold twice, with an average selling price of £16,500. In the last five years, the hammer price has ranged from £15,000 in March 2025 to £60,480 in April 2022. Since its first sale in April 2008, Napalm has been sold 25 times at auction, demonstrating its popularity among collectors. The edition size of this artwork is limited to 150.

Created with Highcharts 11.4.8Jun 2022Nov 2022May 2023Oct 2023Apr 2024Sep 2024Mar 2025$15,000$17,500$20,000$22,500$25,000$27,500$30,000© MyArtBroker

Meaning & Analysis

Napalm is undoubtedly one of Banksy’s most powerful, hard-hitting works, cementing his position as a pioneering political contemporary artist. Napalm is a mostly monochromatic screen print in three colours. The work references a photograph taken during the Vietnam War, showing a nine year-old-girl (Kim Phuc) running from the horror of a Napalm blast. The moment was captured by photographer Nick Ut. On this print, Banksy took the photograph as his context for creating a disarming juxtaposition – we have two supposedly friendly American icons of consumerism (Ronald McDonald and Mickey Mouse), smiling as they lead the terrorised girl away from a disaster. This artwork is a quintessential and especially strong formulation of Banksy’s critique of the military-industrialist complex, linking violent conflict and capitalism. This is also demonstrated in other works like Bomb Hugger and Happy Choppers.