Napalm (AP, orange)
Napalm (AP, orange)
Signed Print
Banksy
£45,000-£60,000Value Indicator
$90,000-$120,000 Value Indicator
$80,000-$110,000 Value Indicator
¥440,000-¥590,000 Value Indicator
€50,000-€70,000 Value Indicator
$480,000-$640,000 Value Indicator
¥8,850,000-¥11,810,000 Value Indicator
$60,000-$80,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 27
Year: 2004
Size: H 41cm x W 70cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2021 | Phillips London | United Kingdom |
Meaning & Analysis
Banksy's Napalm (AP, Orange) is one of 27 signed artist proofs in a special orange colourway. The screen-print reworks Nick Ut's "The Terrors of War" photo, showing Mickey Mouse and Ronald McDonald holding a young girl whose village was napalmed. The piece satirizes corporations, transforming the original's war imagery into an unsettling ambiguity.
Napalm is undoubtedly one of Banksy’s most powerful, hard-hitting works, cementing his position as a pioneering political contemporary artist. Napalm is a mostly monochromatic screen print in three colours. The work references a photograph taken during the Vietnam War, showing a nine year-old-girl (Kim Phuc) running from the horror of a Napalm blast. The moment was captured by photographer Nick Ut. On this print, Banksy took the photograph as his context for creating a disarming juxtaposition – we have two supposedly friendly American icons of consumerism (Ronald McDonald and Mickey Mouse), smiling as they lead the terrorised girl away from a disaster. This artwork is a quintessential and especially strong formulation of Banksy’s critique of the military-industrialist complex, linking violent conflict and capitalism. This is also demonstrated in other works like Bomb Hugger and Happy Choppers.
