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Joseph Beuys State III (F. & S. II.244) - Signed Print by Andy Warhol 1980 - MyArtBroker

Joseph Beuys State III (F. & S. II.244)
Signed Print

Andy Warhol

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 150

Year: 1980

Size: H 102cm x W 81cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol's Joseph Beuys State III (F. & S. II.244) is estimated to be worth between £21,000 and £30,000. This signed screenprint, created in 1980, has shown consistent value growth since its first sale in November 2023. This is a rare artwork with an auction history of one sale. The edition size of this artwork is limited to 150.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2023Germann Auctions Switzerland

Meaning & Analysis

The postwar artist Joseph Beuys (1921-1986) began his career as a sculptor before moving into performance art and happenings. He was particularly known for his interest in shamanism and spirituality. While these interests diverge from Warhol’s fascination with consumerism and celebrity, both artists recognized the importance of fashioning one’s own image. While they only met a handful of times, the two artists admired and respected each other’s work. Warhol’s Joseph Beuys series is a testament to the longstanding mutual respect between the two post-war artists.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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