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Ingrid Bergman As Herself (F. & S. II.313) - Signed Print by Andy Warhol 1983 - MyArtBroker

Ingrid Bergman As Herself (F. & S. II.313)
Signed Print

Andy Warhol

£30,000-£45,000Value Indicator

$60,000-$90,000 Value Indicator

$60,000-$80,000 Value Indicator

¥290,000-¥440,000 Value Indicator

€35,000-€50,000 Value Indicator

$320,000-$480,000 Value Indicator

¥5,910,000-¥8,870,000 Value Indicator

$40,000-$60,000 Value Indicator

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97 x 97cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 1983

Size: H 97cm x W 97cm

Signed: Yes

Format: Signed Print

Last Auction: March 2025

Value Trend:

6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

10 in network
6 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2025
Blomqvist
Norway
£23,154
£27,240
£34,050
March 2025
Forum Auctions London
United Kingdom
October 2024
Bukowskis, Stockholm
Sweden
May 2024
Los Angeles Modern Auctions
United States
March 2024
Sotheby's London
United Kingdom
September 2023
Lama
United States
May 2023
Bonhams New Bond Street
United Kingdom
MyPortfolio
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Track auction value trend

The value of Andy Warhol's Ingrid Bergman As Herself (F. & S. II.313) (signed) is estimated to be worth between £30,000 to £45,000. This screenprint, created in 1983, has shown consistent value growth, with an average annual growth rate of 6%. This is a popular work, having been sold 58 times at auction since its initial sale in May 2002. In the last 12 months, the hammer price has ranged from £19,560 in February 2022 to £46,000 in March 2025, with a total sales volume of 6. Over the past five years, the average return to the seller has been £25,800. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8May 2023Sep 2023Dec 2023Apr 2024Aug 2024Nov 2024Mar 2025£17,500£20,000£22,500£25,000£27,500£30,000£32,500£35,000© MyArtBroker

Meaning & Analysis

Warhol flattens the image by using dark outlines against bright highlights thus creating an eye-catching image to be reproduced by the screen print technique and widely disseminated. This idea of the proliferation of the image reflects Warhol’s ideas on the cult of mass-media and the way in which Bergman’s face was available to see everywhere in America. In his clever wording of the title As Herself, Warhol emphasises the way in which pop icons like Bergman perform a character for the mass-media machine that is not necessarily true to her authentic self. Warhol makes clear that we can never know the real Bergman.

Bergman’s elegant profile is set against a stark, black background, illuminating her face, thus accentuating the beauty that she is famed for. Warhol uses two-toned colours to create shadow, drawing attention to her high cheekbones. The highly saturated colour palette and flattening of both colour and form through dark hand-drawn lines, works to mirror the way in which her beauty is unattainable. Her look away from the viewer also makes her seem distant and removed.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.