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Wassily
Kandinsky

Wassily Kandinsky, a pioneer of Abstract Art, is known for his bold use of colour and geometric forms. If you’re looking for original Wassily Kandinsky prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

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Biography

Wassily Kandinsky's spiritual and philosophical approach to painting revolutionised the art world in the early 20th century. His approach to colour and shape was foundational in the development of Abstract Art. Born in Moscow on 16 December 1866, Kandinsky was exposed to a vast range of cultural influences from a young age, from music to literature. Although he initially pursued a career in law and economics, his passion for art led him to Munich, where he dedicated himself to painting. Kandinsky's journey from representational art to abstraction was driven by his belief in the spiritual resonance of colour and form, a vision that culminated in his seminal works and theoretical writings.

His early works, such as his 1903 oil painting titled Blue Rider, reflect his interest in symbolism and the emotive quality of colour. As he developed his artistic language, Kandinsky began to move away from representation, striving instead to capture the essence of inner experience through abstraction. This shift is epitomised in his iconic 1913 work Composition VII (1913), a painting that exemplifies his innovative approach to painting.

Composition VII is considered to be one of Kandinsky’s most important works, representing the first time he felt he visually communicated his developing artistic philosophy. In his seminal book, Concerning the Spiritual in Art, Kandinsky describes three types of artistic inspiration: impression, improvisation, and composition. The third, composition, is described as “an expression of a slowly formed inner feeling, which comes to utterance only after long maturing”. This concept is vividly realised in Composition VII, which Kandinsky meticulously planned over several months, creating more than 30 preliminary sketches. These sketches helped him build towards an image that is entirely devoid of impression and improvisation, showcasing a matured artistic vision.

Beyond his artistic practise, Kandinsky was also a theorist and educator. In 1922, Kandinsky accepted a teaching position at the Bauhaus, the state-sponsored Weimar school of art and applied design founded by architect Walter Gropius. The school’s curriculum was based on the principle that the crafts were equal to the fine arts and was organised according to a mediaeval-style guild system of training under the tutelage of masters. Kandinsky conducted the Wall Painting Workshop and Preliminary Course and taught at all three of the school’s sequential locations in Weimar, Dessau, and Berlin until 1933, when the Bauhaus was closed due to pressure from the National Socialist (Nazi) government.

At the Bauhaus, geometric shapes came to play a dominant role in Kandinsky’s pictorial vocabulary. He increased his use of overlapping, flat planes and clearly delineated forms, influenced by the Suprematist work of Kazimir Malevich and the art of the Constructivists. His turn toward geometric forms was a testament to the influence of industry and developments in technology.

Printmaking was an integral part of Kandinsky's artistic practice, as demonstrated by his 1922 lithography series Kleine Welten (Small Worlds). This series exemplifies his ability to translate his abstract vision into print, using geometric forms and vibrant colours to create compositions that are both dynamic and harmonious. Kleine Welten I showcases Kandinsky's sensitive understanding of balance and movement, reflecting his broader exploration of abstract forms.

Kandinsky's legacy is characterised by his pursuit of a new artistic language that captures the spirituality of the human condition. His work, celebrated in numerous exhibitions and housed in major museums worldwide affirms his position as a towering figure in the history of Modern Art.

A semi-abstract landscape depicting mountains, buildings, and a church with a tall spire. Rendered in bold, colourful patches of blues, greens, reds, and yellows, the scene shows simplified geometric buildings nestled among the stylised landscape.

Murnau Mit Kirche II © Wassily Kandinsky 1910

1. £32.1M for Wassily Kandinsky's Murnau Mit Kirche II

Murnau Mit Kirche II (1910) set Kandinsky's current auction record when it sold at Sotheby's London in March 2023. This vivid landscape, measuring 96 x 105.5 cm, represents the pinnacle of Kandinsky's pre-abstract Expressionist period, capturing the Bavarian village of Murnau, one of Kandinsky’s favourite subjects, with bold colours and simplified forms. It was around 1910 that Kandinsky first started moving away from representational art, introducing such techniques as flattened perspective, a vibrant palette, and simplified architectural forms. Murnau Mit Kirche II (1910) is a prime example of Kandinsky’s “floating in space” effect, created by separating colour from line. Its unique provenance - having been stolen by the Nazis from the Jewish Stern family and later restituted to their heirs - contributed to its historic performance at auction.

An expressive abstract composition featuring swirling organic forms in purples, pinks, blues, and yellows. White lines weave through the painting, creating contrast against the dreamlike arrangement of colourful, fluid shapes.

Bild Mit Weissen Linien © Wassily Kandinsky 1913

2. £29.2M for Wassily Kandinsky's Bild Mit Weissen Linien

This important transitional work from 1913, its title translating literally to “Painting With White Lines,” achieved this impressive result at Sotheby's London in June 2017. Its swirling forms and vibrant, contrasting colours are balanced by the structural white lines that give the piece its title. It was created during Kandinsky's time in Munich, just before the outbreak of World War I, and demonstrates the artist's evolving theories about colour and composition as outlined in his seminal 1910 text Concerning the Spiritual in Art. Kandinsky was growing firm in his belief that painting could, and should, express inner experiences and spiritual concepts when executed non-representationally. His portfolio of work was intended to reflect a universal spirituality. The painting's rarity, having changed hands only once, and art historical significance contributed to its strong performance.

A colourful landscape of vibrant trees, with greenish houses midway between foreground and background. The composition uses simplified shapes and bold colours, including greens, blues, yellows, and reds to depict a stylised country scene. Distinctive patches of colour define different landscape elements.

Murnau - Landschaft Mit Grünem Haus © Wassily Kandinsky 1909

3. £18.5M for Wassily Kandinsky's Murnau - Landschaft Mit Grünem Haus

This vibrant landscape from 1909 achieved this result at the same sale Bild Mit Weissen Linien (1913) sold for £29.2M, which meant two new records were set for Kandinsky on the same night. Painted during Kandinsky's crucial years in Murnau, Bavaria, “Landscape With Green House” shows his bold use of colour and increasingly abstracted forms while still retaining recognisable landscape elements. The painting's flattened perspective and vivid, non-naturalistic colours reveal the influence of Fauvism and folk art on Kandinsky's developing style. This period in Murnau, where Kandinsky worked alongside Gabriele Münter, Alexej von Jawlensky, and Marianne von Werefkin, was instrumental in his progression toward abstraction, making works from this time particularly significant to collectors and institutions. The piece had not appeared for sale since 1920, making its 2017 auction the first time it had been available to collectors for almost 100 years.

An abstract composition on a dark background featuring geometric and organic elements in contrasting colours. A large yellow-white circular form dominates the upper right, with lines and curves, smaller circles in various colours, and abstract shapes arranged across the canvas, each given its own space or very precisely overlapping.

Tensions Calmées © Wassily Kandinsky 1937

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