£900-£1,350
$1,750-$2,650 Value Indicator
$1,600-$2,400 Value Indicator
¥8,500-¥12,500 Value Indicator
€1,100-€1,600 Value Indicator
$9,000-$13,500 Value Indicator
¥180,000-¥260,000 Value Indicator
$1,200-$1,750 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Lithograph
Year: 2013
Size: H 56cm x W 22cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
February 2024 | Forum Auctions London - United Kingdom | Hip (blue) - Signed Print | |||
February 2023 | Forum Auctions London - United Kingdom | Hip (blue) - Signed Print | |||
December 2022 | Forum Auctions London - United Kingdom | Hip (blue) - Signed Print | |||
December 2022 | Tate Ward Auctions - United Kingdom | Hip (blue) - Signed Print | |||
October 2022 | Forum Auctions London - United Kingdom | Hip (blue) - Signed Print | |||
March 2022 | Tate Ward Auctions - United Kingdom | Hip (blue) - Signed Print | |||
December 2021 | Tate Ward Auctions - United Kingdom | Hip (blue) - Signed Print |
Hip (blue) is an offset lithograph by artist, Stik, printed in blue, white and black, depicting a stickman looking to the side with a hand on his hip. Released in 2013, this print is a clear example of Stik’s remarkable skill at depicting the fine details of standing bodies in his minimalist six-line figures, and another observant study of a person merely standing and looking.
Stik’s intention to ‘compress’ the details of the body into his minimalist compositions is clear here: “Quite often, simple images are the most noted. If I’ve got too many lines, I kind of lose track of what’s going on. I like to have very few things going on, but a lot of data compression in that”. Recalling Giacometti with its interest in the experience of occupying the human body, Hip clearly gestures to feelings of fatigue and weariness.
Part of a long line of standing stickmen, Hip is unique in its depiction of a curved wrist, in contrast to the typically straight-limbed depictions of isolated figures by the artist, such as Standing Figure. This eye to detail works against the movement towards simplicity in Stik’s art, which he has himself recognised: “It’s always been simple, and it seems to be getting simpler as time passes. I appreciate simplicity.”