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Illustration For Auto Poésie: En Cavale De Bloomington - Signed Print by Roy Lichtenstein 1992 - MyArtBroker

Illustration For Auto Poésie: En Cavale De Bloomington
Signed Print

Roy Lichtenstein

£7,000-£10,000Value Indicator

$14,500-$21,000 Value Indicator

$13,000-$18,000 Value Indicator

¥70,000-¥100,000 Value Indicator

8,000-12,000 Value Indicator

$70,000-$100,000 Value Indicator

¥1,340,000-¥1,910,000 Value Indicator

$9,500-$13,500 Value Indicator

12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Intaglio

Edition size: 42

Year: 1992

Size: H 38cm x W 28cm

Signed: Yes

Format: Signed Print

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Roy Lichtenstein's Illustration For Auto Poésie: En Cavale De Bloomington, a signed intaglio print from 1992, is estimated to be worth between £7,000 and £10,000. This artwork has shown consistent value growth, with an auction history of 16 total sales since its entry to the market in December 2017. In the last 12 months, the average selling price was £6,154, across 2 sales. Over the past five years, the hammer price has ranged from £4,500 in May 2020 to £6,657 in February 2023. The average annual growth rate of this work is 12%. The edition size of this artwork is limited to 42.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2024Rago United States
February 2023Bonhams New York United States
April 2021Wright United States
April 2021Wright United States
May 2020Forum Auctions London United Kingdom
June 2019Im Kinsky Germany
April 2018Phillips New York United States

Meaning & Analysis

Lichtenstein’s 1992 Auto Poesie En Cavale De Bloomington is predicated on Ginsberg’s “Auto Poesy: On the Lam to Bloomington”. The original poem is characterised by a spontaneous and inconclusive style of expression. The concept auto-poesy is used to describe poems composed aboard a moving vehicle, while also signifying a type of autobiographical poetry. Bloomington is most commonly referred to as a gateway to the scenic South, the departure point for those seeking the true and primordial America.

Lichtenstein’s minimalistic vignette is divided in two and captures the outset of an imaginary excursion. The pastel coloured left side of the image shows the daytime depiction of an empty highway, while on the right we see the dark blue route at night. At Lichtenstein’s hands, the dashed lines, indicating the middle of the road, morph into horizontal towers stretching into the desert. The artist crowns his cleverly arranged composition on each side with the yellow glow of a guiding light. In doing so, Lichtenstein transforms the overall impression of the freeways into lighthouses, directing the travelers to their journey’s end.

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