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La Sortie - Signed Print by Roy Lichtenstein 1990 - MyArtBroker

La Sortie
Signed Print

Roy Lichtenstein

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90 x 134cm, Edition of 60, Woodcut

Medium: Woodcut

Edition size: 60

Year: 1990

Size: H 90cm x W 134cm

Signed: Yes

Format: Signed Print

Last Auction: October 2016

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2016
Doyle Auctioneers & Appraisers
United States
£34,252
£40,297
£50,774
October 2011
Sotheby's New York
United States
October 2010
Christie's New York
United States
November 2007
Sotheby's New York
United States
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The value of Roy Lichtenstein's La Sortie, a signed woodcut from 1990, is estimated to be worth between £80,000 and £120,000. This is a rare artwork, having been sold 4 times at auction since its initial sale on 2nd November 2007. The edition size of this artwork is limited to 60.

Created with Highcharts 11.4.8Nov 2007May 2009Nov 2010Apr 2012Oct 2013Apr 2015Oct 2016£25,000£30,000£35,000£40,000£45,000£50,000£55,000© MyArtBroker

Meaning & Analysis

Lichtenstein’s Interiors of the early 1990s takes the ultimate image of quotidian domesticity as its main subject matter. The intricate collection is rendered in the artist’s characteristic palette of bold primary colours, delineated outlines, and Ben Day dots. Lichtenstein’s interior prints reflect the artist’s fascination with the paradoxical relationship between fine art and design. The sequence is also a unique manifestation of the varied conceptual ideas and technical skills honed by the artist throughout his career.

La Sortie is characterised by a highly stylised aesthetic. The mundane interior is transformed by Lichtenstein's use of defined contouring, regimented pattern, and block colour. The unusual composition zeroes in on a corner of a room and crops out most of the furniture. Instead, Lichtenstein focuses on a pale blue armchair, a side table, a maroon-shaded lamp that matches the curtains on the left, and a landscape painting.

The scene is scaled back and tranquil to such an extent that the beholder barely notices the female leg exiting the image on the right. Giving his work a title that in literal translation means ‘The Exit’, Lichtenstein allows the viewer to imagine how the fragmented narrative plays out beyond the confines of the picture plane.