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Anatomy

Louise Bourgeois's Anatomy series is a series of twelve prints, each titled from Untitled No. 1 (Anatomy) through to Untitled No. 12 (Anatomy). Created between 1989-1990, the series delves into the intricate and often overlooked aspects of human anatomy, using various mediums to explore themes of corporeality, vulnerability, and identity. Bourgeois's approach is both literal and metaphorical, providing a deep investigation into the physical and psychological dimensions of the human body.

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Meaning & Analysis

The Anatomy series by Louise Bourgeois features a compelling blend of figuration and abstraction, with each piece exploring different facets of the human form. These prints are marked by an intense focus on specific body parts, isolating them to explore their symbolic and functional significance. Bourgeois frequently employs fragmentation as a technique to draw attention to the ways in which bodies can be both objectified and idolised. By dissecting the body into parts, she invites viewers to consider the complexities of bodily existence and the often uncomfortable realities of physicality.

Bourgeois' depiction of anatomy goes beyond mere biological study; it is imbued with personal and psychological layers that reflect her ongoing exploration of trauma, healing, and the unconscious. The repetitive focus across twelve monochromatic prints allows for a thorough and nuanced exploration of these themes, making each piece an intimate revelation of the artist’s psyche as well as a universal commentary on human vulnerability.