The Viaduct Stockport
The Viaduct Stockport
Signed Print
L S Lowry
£3,300-£5,000
$6,500-$10,000 Value Indicator
$6,000-$9,000 Value Indicator
¥30,000-¥45,000 Value Indicator
€4,000-€6,000 Value Indicator
$30,000-$50,000 Value Indicator
¥650,000-¥980,000 Value Indicator
$4,150-$6,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 75
Year: 1969
Size: H 48cm x W 61cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2021 | Christie's London | United Kingdom | |||
| April 2021 | Christie's London | United Kingdom | |||
| April 2006 | Bonhams Leeds | United Kingdom |
Meaning & Analysis
Printed in 1969, The Viaduct, Stockport is a typical scene by L.S. Lowry that captures urban life in North West England. Depicting everyday life in Manchester, houses populate the foreground with Lowry’s ‘matchstick-men’ unassumingly going about their daily lives. The stylised figures lack definition and are all almost identical to one another. Often caught in motion, the matchstick figures are a signature feature of Lowry’s prints and have become synonymous with his now iconic style.
Attention is focused on the impressive viaduct, a major pioneering structure of the early railway age, emblematic of urbanisation and industrialisation. A train traversing the railway is captured against columns of smoke exuding from the factories portrayed in the picture’s background. The large structure, composed of a series of arches, towers over the tiny figures, making them seem even smaller and insignificant.
The print reflects Lowry’s interest in industrial landscapes and the quotidian activities of the people that inhabited them. Captured against this backdrop, the matchstick figures blend in with the industrial environment. This dual focus on the industrial and the human is a defining characteristic of Lowry’s style of realism. Like many of Lowry’s urban landscapes, The Viaduct, Stockport centres on the northern industrial working class experience.
