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Andy Mouse 2 - Signed Print by Keith Haring 1986 - MyArtBroker

Andy Mouse 2
Signed Print

Keith Haring

£190,000-£280,000Value Indicator

$400,000-$580,000 Value Indicator

$350,000-$520,000 Value Indicator

¥1,830,000-¥2,700,000 Value Indicator

€220,000-€330,000 Value Indicator

$2,000,000-$2,950,000 Value Indicator

¥37,160,000-¥54,760,000 Value Indicator

$260,000-$380,000 Value Indicator

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97 x 97cm, Edition of 30, Screenprint

Medium: Screenprint

Edition size: 30

Year: 1986

Size: H 97cm x W 97cm

Signed: Yes

Format: Signed Print

Last Auction: October 2023

Value Trend:

20% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2023
Sotheby's New York
United States
£126,757
£149,126
£187,899
September 2022
Christie's London
United Kingdom
April 2016
Christie's New York
United States
March 2014
Im Kinsky
Germany
October 2006
Bonhams New Bond Street
United Kingdom
April 2006
Sotheby's New York
United States
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Track auction value trend

The value of Keith Haring's Andy Mouse 2 (signed) is estimated to be worth between £190,000 and £280,000. This screenprint, created in 1986, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of six total sales since its entry to the market in April 2006. In the last 12 months, there have been no sales, however, in the last five years, the hammer price has ranged from £149,126 in October 2023 to £171,360 in September 2022. The average return to the seller over this five-year period is £136,206. The edition size of this artwork is limited to 30.

Created with Highcharts 11.4.8Apr 2006Mar 2009Feb 2012Jan 2015Dec 2017Nov 2020Oct 2023£100,000£120,000£140,000£160,000£180,000£200,000© MyArtBroker

Meaning & Analysis

Complete with a pink spiky wig and red glasses, this tribute to Warhol is characteristic of Haring’s playful sense of humour. Here he depicts the father of Pop Art as a Mickey Mouse figure held aloft by a group of his signature dancing figures, all emitting energy lines of joy while Warhol remains inscrutable.

As well as being a tribute to Warhol, the work is also a reference to Haring’s childhood when he would spend hours copying beloved Walt Disney cartoons with his father, which led to him becoming an artist. After a brief spell as a commercial artist in Pittsburgh Haring trained at the School of Visual Art in New York where he learned about the visual language of signs and began making a name for himself on the street where he developed his unique style, in close proximity to graffiti artists and hip hop musicians.

Made in 1986 when Haring was at the height of his career, this work demonstrates his universal appeal, or, as curator David Ross put it, ‘His use of simplified figurative abstract forms and his highly graphic style gave his works an immediate character, the complexity of his puzzlelike constructions pulled the viewer deeply into a unique picture space. Haring’s art radiated energy and he carefully directed that energy beyond the confines of the art world.’