Untitled 1987
Untitled 1987
Signed Print
Keith Haring
£12,000-£18,000
$24,000-$35,000 Value Indicator
$22,000-$30,000 Value Indicator
¥110,000-¥170,000 Value Indicator
€14,500-€22,000 Value Indicator
$120,000-$180,000 Value Indicator
¥2,330,000-¥3,490,000 Value Indicator
$15,000-$23,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 100
Year: 1987
Size: H 21cm x W 31cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2022 | Larsen Gallery | United States | |||
| June 2022 | Wright | United States | |||
| April 2017 | Phillips New York | United States | |||
| July 2015 | Christie's New York | United States | |||
| July 2010 | Bonhams New Bond Street | United Kingdom | |||
| October 2008 | Ketterer Kunst Hamburg | Germany | |||
| July 2007 | Christie's London | United Kingdom |
Meaning & Analysis
This signed lithograph from 1987 is a limited edition of 100 by Keith Haring. Untitled shows four brightly coloured genderless figures with their arms in the air as though dancing. Three figures, coloured in red, lift a blue figure and rounded energy lines emanate from their moving limbs. The figures are contoured with bold, black lines and are set against a bright yellow backdrop.
This vibrant image is bursting with kinetic energy and joy as Haring depicts each body in mid-movement. Showing the act of three figures lifting another is representative of the celebratory message Haring is attempting to portray. Compounded with his use of flattened and bright, primary colours, this print is appealing to children and adults alike in its positive visual language.
In many of Haring’s works, the artist depicted dancing and moving figures to evoke fun, joy and energy as a reflection of his life in New York City and love of Studio 54. Untitled 1987 shows action lines emanating from the figure to emphasise this sense of movement and dance, something that Haring became very interested in as a means to communicate elation and togetherness.
