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Plate V, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate V, Untitled 1 - 6
Signed Print

Keith Haring

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57 x 85cm, Edition of 40, Lithograph

Medium: Lithograph

Edition size: 40

Year: 1982

Size: H 57cm x W 85cm

Signed: Yes

Format: Signed Print

Last Auction: February 2022

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2022
Dorotheum, Vienna
Austria
N/A
N/A
N/A
April 2017
Christie's New York
United States
September 2011
Christie's London
United Kingdom
April 2008
Phillips New York
United States
MyPortfolio
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Keith Haring's Plate V, Untitled 1 - 6 (signed) is a lithograph print from 1982, estimated to be worth between £26,000 and £40,000. This artwork has an auction history of four total sales since its entry to the market in April 2008. The average annual growth rate of this work is not available, and there have been no sales in the last 12 months. However, over the past five years, the hammer price has remained consistent, offering an average return to the seller of £24,450. The edition size of this artwork is limited to 40.

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Meaning & Analysis

Like much of Haring’s work, this print is reminiscent of Aztec or Aboriginal art, with an emphasis on line, pattern and energy. Notably, Untitled features Haring’s iconic motif of the barking dog used to represent abuses of power by government and oppressive regimes that demand obedience.

This print has a compulsive quality that fills out across the canvas that contrasts to Haring’s typical use of simplified form and block colour. Haring’s use of bold, rounded lines across the entire image creates a jarring effect against the outlines of the standing dogs, injecting the static image with a sense of movement.

Explaining why many of his works resembled Aztec or Aboriginal art, Haring has said “My drawings don’t try to imitate life; they try to create life, to invent life,” something that he believed to be a so-called primitive idea. Untitled is exemplary of this notion by creating a rhythmic, all-over composition that focuses on pattern rather than realism, Haring produces a kinetic image that excites the viewer and transcends reality.