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Plate IV, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate IV, Untitled 1 - 6
Signed Print

Keith Haring

£18,000-£28,000Value Indicator

$35,000-$60,000 Value Indicator

$35,000-$50,000 Value Indicator

¥170,000-¥270,000 Value Indicator

€21,000-€35,000 Value Indicator

$190,000-$300,000 Value Indicator

¥3,520,000-¥5,480,000 Value Indicator

$24,000-$40,000 Value Indicator

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58 x 85cm, Edition of 40, Lithograph

Medium: Lithograph

Edition size: 40

Year: 1982

Size: H 58cm x W 85cm

Signed: Yes

Format: Signed Print

Last Auction: March 2025

Value Trend:

26% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2025
Christie's London
United Kingdom
£14,328
£16,857
£21,240
February 2023
Phillips New York
United States
April 2017
Christie's New York
United States
December 2016
Artcurial
France
October 2011
Sotheby's New York
United States
April 2008
Phillips New York
United States
MyPortfolio
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The value of Keith Haring's Plate IV, Untitled 1 - 6 (signed) lithograph print, created in 1982, is estimated to be worth between £18,000 and £28,000. This work has shown consistent value growth, with an average annual growth rate of 4%. Over the past 12 months, the artwork has sold once at an average selling price of £16,857. This work has an auction history of six total sales since its initial entry to the market in April 2008. The edition size of this artwork is limited to 40.

Created with Highcharts 11.4.8Apr 2008Feb 2011Dec 2013Sep 2016Jul 2019May 2022Mar 2025£12,000£14,000£16,000£18,000£20,000£22,000£24,000© MyArtBroker

Meaning & Analysis

Reminiscent of Haring’s Blueprint Drawings series (1990) this print makes explicit references to sex, religion, death and AIDS as a means to confront the viewer with difficult issues of the time. Notably, Untitled features Haring’s iconic motif of the barking dog used to represent abuses of power by government and oppressive regimes that demand obedience.

This series uses the visual language of the artist’s early subway drawings, the colour inverted with black lines against a white backdrop. Speaking of the difference between his subway drawings and his studio prints Haring has said: “I do use a little moral discretion between what I put on the street and what I put on the subway. The things in the studio obviously have more sex. But I think it’s inevitable that the subway drawings have it too because it’s part of my life and part of the rest of the body of work.”

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change