Untitled (Concentric Man)
Untitled (Concentric Man)
Signed Print
Keith Haring
£35,000-£50,000
$70,000-$100,000 Value Indicator
$60,000-$90,000 Value Indicator
¥320,000-¥460,000 Value Indicator
€40,000-€60,000 Value Indicator
$340,000-$490,000 Value Indicator
¥6,790,000-¥9,700,000 Value Indicator
$45,000-$60,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 100
Year: 1989
Size: H 76cm x W 58cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| May 2023 | Uppsala Auktionskammare | Sweden | |||
| June 2021 | Lempertz, Cologne | Germany | |||
| June 2021 | Van Ham Fine Art Auctions | Germany | |||
| September 2018 | Sotheby's London | United Kingdom | |||
| April 2018 | Sotheby's New York | United States | |||
| March 2016 | Sotheby's London | United Kingdom | |||
| September 2015 | Sotheby's London | United Kingdom |
Meaning & Analysis
This signed screen print from 1989 is a limited edition of 100 by Keith Haring. Depicted in the artist’s trademark figurative style, Ascending shows a figure arising from legs that are oversized, that in turn has two layers inside of it, much like a toy Matryoshka doll.
The figure seen in Haring’s Ascending print is genderless and has its arms bent downwards as though breakdancing. Graphic lines radiate from the figure to give the effect that it is pulsating and dancing with joy. Haring ensures this print bursts with energy by using saturated, block colours and bold lines. The figure is shown to be bright yellow, set against a pale blue backdrop and purple ground. This celebratory image bursts with energy and vigour, a sensibility that makes Haring’s work so appealing and unique.
Much like fellow graffiti artist Jean-Michel Basquiat, Haring reuses particular symbols, such as the dancing figure, throughout his artistic oeuvre to produce a memorable pictorial language. The simplistic form and positive visual language of Ascending recalls the artist’s early subway drawings, where he spent his days drawing in white chalk on the empty advertising panels of the New York subway system.