Why is the Cornish Coast series important?

The landscapes in this series are depicted in smooth lines that work to create an abstracted image that focuses on colour and flattened form rather than mimicking the artist’s photographs of Cornwall. Providing the viewer with an impression of the scene, this print toes the line between reality and representation and is an abstracted image. Noting his reasons for creating these images through a minimalist visual language the artist has said: “My aim is always realism but not in the sense of photographic detail, more the realism of a glance or a memory or the feeling of being immersed all day in a view. Then I come back to London and draw all this in computer-sharp lines with inkjet printers on plastics and glass.”

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Cornish Coast by Julian Opie Background & Meaning

Cornish
Coast

The Cornish Coast series is indicative of Julian Opie’s desire to utilise new computer technology and photography to create a simplified and instantly recognisable image. Mimicking the visual language of commercialism, Opie demonstrates his ability to form a brand that is widely recognised whilst engaging with fine art.

Meaning & Analysis

Consisting of nine prints, Julian Opie’s Cornish Cost series shows a set of beautiful images of the coast in Cornwall. Six of these images are depicted in Opie’s highly simplified style, with block colours and simplified shapes, whilst a further four use the same images to depict the scenes in slightly more detail and colour.

Created using computer drawing programmes to manipulate digital photographs, these prints are inspired by holidays taken by the artist to Cornwall. Much of Opie’s work has been compared to the digitally rendered landscapes of video games in the way that they mimic a simultaneously familiar yet otherworldly sphere. Indeed, this print is uncanny in the sense of familiarity it strikes within the viewer, in part due to Opie’s depersonalised, slick style rendered through computer technology.

Speaking of his interest in producing landscape prints of Cornwall, Opie has said: “I think we use picturing all the time in order to navigate and interact and it’s how I know I am present. By putting that picture back out into the world, on the cave wall or website or gallery, I can extend, record and play with what I see. By looking at that picture there is a doubling up of the process, a view of a view.”

The Cornish Coast series is indicative of Opie’s desire to utilise new computer technology and photography to create a simplified and instantly recognisable image. In using saturated block colours and a limited palette of only four or five tones, Opie produces an aesthetically pleasing image when viewed at any distance. Opie’s prints such as those in the Cornish Coast series, use a highly recognisable and replicable style whereby the artist can make many versions of the same or similar subjects. Mimicking the visual language of commercialism, Opie demonstrates his ability to form a brand that is widely recognised whilst engaging with fine art.

The landscapes in this series are depicted in smooth lines that work to create an abstracted image that focuses on colour and flattened form rather than mimicking the artist’s photographs of Cornwall. Providing the viewer with an impression of the scene, this print toes the line between reality and representation and is an abstracted image. Noting his reasons for creating these images through a minimalist visual language the artist has said: “My aim is always realism but not in the sense of photographic detail, more the realism of a glance or a memory or the feeling of being immersed all day in a view. Then I come back to London and draw all this in computer-sharp lines with inkjet printers on plastics and glass.”
Throughout his career, Opie has created landscape prints from places that he has visited, and this particular series recalls works such as his French Landscapes (2013), Japanese Landscapes (2009) and Winter (2012) series’. Many of his landscape works like the Cornish Coast series take the form and composition of traditional landscape paintings. In this series Opie uses contemporary techniques and the vernacular of everyday life to present a twenty-first century version of the classical art historical genre.
If you're looking to sell art by Julian Opie, click the link and we can help. We employ a number of techniques and practices in order to give a realistic and achievable valuation on any art listed on myartbroker.com. We analyse the demand for the work in question, take into consideration previous sales and auction valuations, we assess the current gallery valuation and monitor the current deals taking place via MyArtBroker every day. We regularly advise sellers on a price bracket for their artwork completely free of charge.