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All Alone In The Museum Of Modern Art - Signed Print by Howard Hodgkin 1979 - MyArtBroker

All Alone In The Museum Of Modern Art
Signed Print

Howard Hodgkin

£400-£600Value Indicator

$850-$1,250 Value Indicator

$750-$1,100 Value Indicator

¥3,850-¥6,000 Value Indicator

450-700 Value Indicator

$4,100-$6,000 Value Indicator

¥80,000-¥120,000 Value Indicator

$550-$800 Value Indicator

-17% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 100

Year: 1979

Size: H 75cm x W 98cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Howard Hodgkin’s All Alone In The Museum Of Modern Art (signed) is estimated to be worth between £400 and £600. This etching print, created in 1979, has shown consistent value growth, with an average annual growth rate of 4%. This work has an auction history of three sales, the first of which was on 28th June 2004. In the last 12 months, the average selling price was £237, across a total of 1 sale. Over the past five years, the hammer price has ranged from £201 in November 2021. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Christie's New York United States
July 2014Christie's New York United States
June 2004Bonhams New Bond Street United Kingdom

Meaning & Analysis

All Alone In The Museum of Modern Art is one of Hodgkin’s most interesting and surprising works. Known for his vibrant, exuberant and colourful abstract landscapes, Hodgkin departs from colour in this print, privileging instead dark, sombre tones that, together, suggest a feeling of unrest and unease, further evoked by the title of the work.

It is in this work, and the series of prints it sits within, that Hodgkin expressed for the first time his full array of emotional complexity. While the image itself does not lend itself to easy readings, the work of the print locates the image within the Museum of Modern Art of New York (MoMA). It is there, in the enclosed doors of the museum, surrounded by his favourite artists, Hodgkin liked to recount, that the artist remembers spending countless evenings and afternoons.

During World War II, then still a child, Hodgkin and his family fled the United Kingdom and sought refuge from the atrocities of the war in Long Island, where they lived until the end of the war. While the experience marked Hodgkin’s infancy, the familiar walls of MoMA gave the young artist solace and repair, effectively contributing to his interest in art. This print, with its disquieting hues, conveys with intensity this memory of his infancy, defined both by dispossession and solace.