Interior With Figure
Interior With Figure
Signed Print
Howard Hodgkin
£1,200-£1,750Value Indicator
$2,500-$3,650 Value Indicator
$2,200-$3,200 Value Indicator
¥11,500-¥17,000 Value Indicator
€1,400-€2,050 Value Indicator
$12,500-$18,000 Value Indicator
¥230,000-¥340,000 Value Indicator
$1,600-$2,300 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 75
Year: 1966
Size: H 50cm x W 65cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2024 | Bonhams Knowle | United Kingdom | |||
| June 2023 | Bonhams Knightsbridge | United Kingdom | |||
| December 2022 | Bonhams Knightsbridge | United Kingdom | |||
| March 2018 | Forum Auctions London | United Kingdom | |||
| September 2016 | Sotheby's Online | United Kingdom | |||
| May 2016 | Swann Galleries | United States | |||
| November 2012 | Bonhams New Bond Street | United Kingdom |
Meaning & Analysis
This signed lithograph from 1968 is a rare, limited edition of 75 from Howard Hodgkin’s 5 Rooms series. The horizontal print presents to the viewer an abstract scene, punctuated by amorphous geometrical shapes that overlap with each other. The print is dominated by an ivory background and by different shades and hues of blue layered on top of it.
Interior With Figure is one of the few prints in which Hodgkin, who is known for his abstracted views of outside landscapes, depicted an interior space – a choice that situates the print within a long art historical tradition of capturing domestic interiors. Unlike the other prints in the portfolio, however, here Hodgkin does not explain who the subject portrayed is, leaving it up to the viewer to wonder, and identify, with the representation. Even more so than Girl On A Sofa and Girl At Night, in this work, Hodgkin makes use of an abstract language of geometrical shapes and colour – here still in its early developments.
With its morphing and fluid shapes interacting with one another on paper, the work is closer to the vocabulary of early exponents of abstract art – such as Wassily Kandinsky – than to the explosive and synergetic palette of colours that will become characteristic of Hodgkin’s personal style.
