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Happiness (small) - Signed Print by Harland Miller 2017 - MyArtBroker

Happiness (small)
Signed Print

Harland Miller

£3,700-£5,500Value Indicator

$7,500-$11,500 Value Indicator

$7,000-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

€4,300-€6,500 Value Indicator

$40,000-$60,000 Value Indicator

¥740,000-¥1,090,000 Value Indicator

$5,000-$7,500 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

99 x 73cm, Edition of 50, Intaglio

Medium: Intaglio

Edition size: 50

Year: 2017

Size: H 99cm x W 73cm

Signed: Yes

Format: Signed Print

Last Auction: September 2024

Value Trend:

-7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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4 in network
6 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2024
Bonhams New Bond Street
United Kingdom
N/A
N/A
N/A
September 2023
Phillips London
United Kingdom
March 2023
Christie's London
United Kingdom
September 2022
Christie's Zurich
Switzerland
June 2022
Christie's London
United Kingdom
March 2021
Tate Ward Auctions
United Kingdom
September 2019
Christie's London
United Kingdom
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Track auction value trend

The value of Harland Miller's Happiness (small) (signed) is estimated to be worth between £3,700 and £5,500. This intaglio print was created in 2017 and has shown consistent value growth since its first sale in June 2018. Over the past 12 months, the average selling price was £5,000, across a total of 1 unit sold. In the last five years, the hammer price has ranged from £5,000 in September 2024 to £8,064 in March 2023, with an average annual growth rate of -7%. This work is part of a limited edition of 50.

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Meaning & Analysis

The artist utilises various printmaking techniques in Happiness, employing polymer-gravure, photo-etching and block printing to achieve a more graphic and superimposed finish. While at first glance the work might seem one dimensional, its main elements have in fact been given a multilayered appearance.

Additionally, the disposition of the textual and the figurative components have been revised and the title no longer occupies the central panel. As opposed to his earlier adaptations of Penguin book covers, the observer is unlikely to be intimately familiarised with the source material in this series.

As a result, a different kind of relationship is formed between form, text and colour palette in Happiness. The observer is inclined to firstly consider the hovering cube formation in the middle, making the text above serve a secondary purpose. In effect, the title is actually activated by the bold colour composition.